Art Doll Work in Progress
Had a busy couple of weeks outside of the studio, and I don’t quite have a finished art doll to share with you today. So, I thought that instead I’d show you my current work in progress. Like the piece from my last post, Chello, this one is with inspired by earlier art doll sculptures, and is on the slightly larger scale that I I want to shift my figures to.
This current art doll figure sculpture is a third seated dancer figure who will be lacing up her toe shoes. I like to pour over internet images when in the thinking phase for a new piece. Degas’s dancers offer up a wealth of visual inspiration. I find myself drawn most to his behind the scenes pieces. Images of dancers stretching at the bar, engaged in conversation, and of course putting on their shoes, catch my eye. Those images make me imagine more of a story to go along with them, than a grand leap captured during the performance of someone else’s storytelling.
Paperclay elements and wire armature of Lacing III
Lacing III will be seated pulling across the ribbons of one of her shoes. Her eyes will be slightly down cast focusing on her task, and will draw the viewer down closer to see her fully. In the photo above you see her paperclay head and hands on her body’d wire armature. Her final position will be set after I have her all together to balance the gesture I want to achieve with the stability of her seated posture.
Refine and Reshape
detail of 2nd layer of paperclay hands drying
I chose paperclay for this art doll’s hands. This choice will allow me to have greater control and detail since the eye will be drawn to what the figure sculpture happens to be doing. This image was snapped after my second layer of clay was added to the wire and floral tape hand armature. Additional shaping and sanding will refine their shape a bit more.
One of the advantages of creating my art doll figures the way that I do, is that I can tweak and change things as I work. The sculptor that carves or chisels is confined by earlier choices and decisions. My figures are even more forgiving than those sculpted fully in clay, because I leave so much of the sculpture able to be repositioned.
need to shift eyes a bit
Even though my Lacing III art doll will have her eyes looking down at her shoe, I see from a quick test fitting with her copper face plate, that I will have to reposition her eyes just a bit. she looks just a bit suspicious of her doll artist sculptor at the moment.
With any luck, Lacing II will be complete and ready to meet you in my next post.