Tag Archives: figure

Octopus Escape

Does That Octopus look Familiar?

This little octopus may look familiar, as she is a rework of an earlier piece. You may recall that I created a “teapot” purse sculpture for the Cedar Creek Gallery bi-annual National Teapot Show last year? That functional (purse) – non-functional (teapot) sculpture occupied our HGA window for a month or so. It seems direct late spring North Carolina sun was a bit too much, and the red of the octopus sun bleached a bit. The subtle color difference was undetectable to most, but I knew it was there. The sculpture came back to the studio for some rehab.

Needle felted anthropomorphic octopus sculpture holding a shell on head — Fashion Or Camouflage?

I loved the original sculpture and its nod to the popular documentary My Octopus Teacher, but I didn’t want to just refresh it. I removed the little figure from her perch on top of the teapot/purse, and repositioned her. She needed some (actually a lot) additional suckers for the bottom of several legs. She also needed a color refresh in her faded areas. I accomplished this by overfelting more fiber in those areas. Luckily, I had some of that wool left! Her scallop shell accessory, is an addition inspired by the original MOT doc, and a newer docuseries on National Geographic. In both, you see these intelligent creatures utilize a variety of objects. This octopus now asks the question “Fashion Or Camouflage?”

This new-ish version of this octopus is needle felted wool over quilt batting. She does not have an internal wire armature. Her pose is accomplished by stategic sewing and felting. The eyes are iridecent black glass beads. The scallop shell is needle felted wool over quilt batting.

Fashion Or Camouflage is headed to HGA next month for my feature show.

A Bit More Fluttering

Finished up several more “Flutterbys” last week. Five Flutterbys (these three and the two I shared last week) will have to be the limit. It was starting to feel a bit like production, and that’s where I tend to bow out. I like to keep such items special. They will become available when the show installs on July 22nd.

needle felted wall hanging butterfly/figure sculpture — Flutterby 3

Brood XIX – Sound of Summer ’24

The sound of summer, almost?

Click… click.. click. click, click click-click-click whirrr. That’s my memory of the sound of summer cicadas. A strange almost mechanical sound that makes you think of the heat of summer. Well, it’s not quite summer (though it is hot enough here in NC.) And, the sound this time is quite different. It is a lound constant sound, somewhat like a car alarm going off near by. And, this sound doesnt build up, and then trail off in typical cicada fashion. Instead it is constant, from just as the day starts to warm, until the afternoon shadows start to lengthen. We were warned that Brood XIX, the emergence of both a 17 year and a 13 year brood cycle would be special. It hasn’t disappointed.

Brood XIX - the sound of summer, is a needle felted anthropomorhic cicada sculpture with vintage megaphone — Brood XIX – Sound of Summer

Left out?

I recall, just a few weeks ago feeling a little left out. Local friends were posting photos of cicadas everywhere, and remarking that the sound they made was deafening. We did not see or hear anything. But, we just needed to be patient. The bugs emerge as the ground reaches the appropriate temperature. We were just a bit further north and a little more shaded in the woods. Soon, I was sending video clips of the alien sound up to relatives in New England.

As a sculptor who focuses on cretures of various sorts, I could not pass up the chance to pay homage to the event. So, meet my cicada, Brood XIX – The Sound of Summer. He is needle felted wool, over a wire and batting form. I constructed his wings by stitching pip cleaners to tulle, and then needle felting wool over those wires, and on to the tulle to form veins. Two large orange-red glass beads are stitched in place for his eyes. I used some commercial deep red wool felt to form the cone of his megaphone. This was needle felted together, and then gold wool fiber was needle felted in place to form the rim, mouth piece, handle, and Roman numerals.

No Pattern Play?

The cicada is a little departure from the exploration of the animal print patterns I have been playing with in my sculpture lately. The cyclical nature of the brood’s emergence seems to be enough of a natural pattern to warrant his inclusion in this summer’s feature show. He’ll be at HGA beginning July 23rd.

Sacred Cow?

A cow patterned coat we all might recognize.

I continued my exploration of altering and reenvisioning animal prints and patterns this past week by considering the cow. The cow print is a friendlier, less threatening, less exotic animal pattern. Cows simultaneously hold wholesome (family farm), villainous (deforestation, climate, health), and even sacred reputations. This variability in how bovines are viewed is intriguing. The term “sacred cow” is equally intriguing. Rising from the Hindu veneration of the animal, it’s usage refers to something unreasonably immune to criticism or opposition. Finding that cows are also held as a symbol of Mother Earth inspired this piece as a “sacred cow” I could agree with.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning — Gaia – Sacred Cow

She is inspired by the ancient Greek godess, Gaia, who is the personification of Earth. I replaced the classic black and white patterning of her hide with the blue and green of the globe. Gaia is my first cow figure sculpture, but she may inspire more.

Gaia is needle felted wool, over a wire and quilt batting armature form, with iridecent glass bead eyes. Her horns are felted wool over a pipe cleaner support. The sculpture’s coat was created “coloring book” style. I marked her globe pattern by hand using outlines printed and cut from a simple world map. I then needle felted the green and blue areas with my colored wool. You supplied positive feedback from previous posts where I included process information and images like those below. I will try to remind myself to keep sharing photos and descriptions like these. It also aids viewers in understanding the creation time involved in each piece.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning - marking map outline

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning - felting map detail

Though she was quite time consuming, I am happy with the results.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning - close up of sotth pacific

back view of Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning

Gaia will most likely make her gallery debut this summer for my feature show at HGA. Stay tuned for further information.

More Dancing Rabbits?

Yes, more dancing rabbits.

Happy New Year! Now that the holiday season has past, it is time to turn attention to shows for the new year. Currently, at The Hillsborough Gallery of Arts there is a show featuring the work of past member artists titled, Past To Present. It is definitely worth a visit to check out, and will be up through February 18th.

What about the Dancing Rabbits?

Opening in February, we again will be presenting our “It’s All About The Story” show. This year, we are partnering with a local songwriter and musician, Mary Rocap. We have created work in response to her music, and yes, I have again turned to dancing rabbits. Actually, just one rabbit this time. You may recall the pair of dancing rabbits I created in response to Jaki Shelton Green’s poetry last year. This year’s representative of the family Leporidae is titled Venus Dances For Herself, and she was inspired by Mary’s song Jupiter and Venus.

The song is a reimagining of the myth based on the December sky conjunction of the two planets. My sculpture is a reimagining of Mary’s song. She tells the tale of Venus’s yearly plea to Jupiter to accept her and Mars’ love child. My Venus is dancing to please herself, and doen’t care if she has Juputer’s approval. She is dancing with her own joy.

Venus Dances For Herself - anthropomorphic dancing rabbit sculpyure with celestial designs. needle felted wool

Venus Dances For Herself is needle felted wool over a wire and quilt batting armature. Her black coat is patterned with swirls, stars, and a sylized Venus “tattoo.”

Venus is further embellished with hand sewn crystal and glass beads. Her eyes are irridecent glass gems that are glued and felted in position, and her whiskers are fashioned from fishing line.

I will remind you about Venus, and the story show again as the date approaches.

Preview!

Take a look at new work.

Now that my featured artist show is all installed at The Hillsborough Gallery of Arts, here is a preview for you. I know that I’ve already shared and wrote about all the pieces you’ll encounter, but here is a look at them in the gallery.

Something almost magical happens when three artist start to install a show in our HGA Feature Gallery. Somehow, no matter how different the work, it just seems to make sense together. My little howling wolf Loup Nouveau appears to have a moon painted just for him in Ellie Reinhold’s Reciprocus.

Preview of works in Featured Artist show 2023 — Loup Nouveau and moon in Reciprocus

A trio of my patterned pieces greets you at the Featured Exhibit room main entrance. They are all examples of my treating the figures’ surface as a canvas for pattern.

Tea With My Octopus Teacher, came home last week after being part of the National Teapot show at Cedar Creek Gallery. This piece is doubly fun, as it is also a functional work as well. It is a sculptural handbag. The octopus’ clasped arms form a handle, and a small button clasp secures the teapot lid. Inside, is a fully lined compartment. It is displayed in a grouping with My Balloon, and Prince Frog.

Change Up, the giraffe with ox pecker attendants applying her colored spots is displayed alongside Kanga And Roo.

Dance is a pair of cranes captured mid step in a courtship dance. You see them here in front of my pair of elephants working together to climb wooden blocks titled Ele-vate.

Hope you enjoyed the preview, and hope to see you tomorrow! The Show opening recepition is 6-9pm during the Hillsborough Last Friday Art Walk event.

Paisley, Prince, and Prints…

That’s a Prince Frog, not a Frog Prince

Every once and a while, a single piece sparks several more pieces in a slightly new direction. That happend recently with Finding True North. I like the surface treatment of the nautical “tatoos’ so much, that I found muself sketching other sculptures that incorporated interesting patterning or symbolism on their surfaces. The first of these new sketches to be realized is Prince Frog.

Prince Frog - needle felted anthropomorphic purple frog sculpture with paisley pattern and raspberry beret — Prince Frog

He is a little purple three toed tree frog. I captured this anthropomprphic amphibian waving hello, or perhaps giving a piece sign? It’s hard to tell the difference with only three fingers. He wears a distinctive little raspberry beret set to one side, and has distinctive paisley pattern on his back.

Prince Frog is needle felted wool over a wire and batting armature. He has iridescent black glass bead eyes. This art doll sculpture looks up and waves from a squating position on his hind legs. I will let you know when he becomes available for purchase.

Prints, Prints, and Cards

I received a request to wholesale some of my monoprint cards. Many artists bristle at anything that feels like production work, and I am definitely in that category. I don’t even like making batches of my own holiday ornaments (puffins, polar bears, and baby seals, oh, my!) but, they are so darn cute and popular. I was torn by the request, especially since my prints aren’t even my main artwork. They weren’t looking for hundreds, (though they may in the future) so I figured I give it a try. I made more than the order, so they can choose, and any left over will be available to take to HGA. I will let you know where they are headed after I deliver them next month. The price will be slightly higher than the $10 I sell them for at HGA. I have no control over retail markup.

One-of-a-kind mono-print botanical cards

One-of-a-kind mono-print botanical cards detail view

Each of these cards is hand-pulled on a gell press using acrylic paint and plant materials. Almost all are comprised of two layers of paint, one with the forground image and the other background color. Some feature additional overprinting, and watercolor enhancements. Each card is a unique and one-of-a-kind original art work on paper and is suitable for framing.

Raccoon and Kangaroos?

A Raccoon With a Daisy For You

“For You” is a young raccoon holding out a daisy. He is offering his flower up to the viewer. I’m not sure if he intends to share the flower itself, or merely a chance to sniff and see if it has a sweet sent. Either way, he engages the viewer to move in a bit closer, and smile.

For You - anthropomorphic raccon needle felted art doll sculpture holding felted daisy — For You

For You, is needle felted wool over a wire and quilt batting armature. He contains stuffing beads as well to provide ballast and volume. His daisy is needle felted wool over wire. He also features large glass bead eyes, and some prominant fishing line whiskers.

Kanga and Roo?

Kanga and Roo is an anthropomorphic Kangaroo sculpture that features a momma and her baby. The joey kangaroo waves at the viewer from the security of mom’s pouch. Momma Kanga appears to be proudly pointing out her progeny.

Kanga and Roo are needle felted wool over a wire and quilt batting armature. They both have hand sewn glass bead eyes. This pair will likely hop into HGA for my feature show in September, but keep an eye out, sometimes they become available early. I will let you know when either Kanga and Roo, or their raccoon friend, For You, become available.

Birds, Balloon and Bling!

What do the three words in the title have in common? They accompany the main figures in this post. I have three new friends to introduce to you, a girraffe with a michevious ox pecker entourage, a baby rhino and her balloon, and a snail with a lot of bling.

First Up, Is Change Up

needle felted anthropomorphic giraffe sculpture with ox pecker birds and color surprise — Change Up

“Change Up” is my newest creation featuring a giraffe as the main figure. This time I had a bit of fun with the giraffe’s patterning. The ox packer birds are applying her distinctive coat pattern. However, it seems that the bird at the back has some different ideas about color. The giraffe looks interested, but it is unclear if she approves of the pop (or is that bling?) at this point.

Change Up is needle felted wool over a wire and quilt batting armature. All have hand sewn glass bead eyes.

Bling!

Bling! is a snail with an eye for embellishment. They are decked out with a bright blue shell that is encrusted with beaded barnacles.

I began Bling! with a wire armature and a pouch of poly stuffing beads for ballast. That base is wrapped in quilt batting, and the surface is sculpted in wool with felting needles. All the beaded (including eyes), sequined, and fringe elements are hand applied with “invisible” thread. I’m kind of in love with their goofy expression.

needle felted anthropomorphic snail sculpture with highly embellished shell — Bling!

This Balloon is My Bling

My little rhino titled My Balloon, seems enamored wirth her possession. Perhaps it is because her balloon provides a bit of bling too? Whatever the reason, she looks pretty happy. In fact, she appears to be making double sure that her balloon doesn’t get away. She has the string both looped around her front foot, and firmly clasped in her mouth.

My Balloon is needle felted wool over a wire, poly bead, and quilt batting form. The balloon is needle felted wool over batting, with yarn felted around a wire core for the string. Her eyes are hand sewn glass beads with frayed yarn lashes.

needle felted anthropomorphic baby rhinoceros sculpture with polka dot balloon — My Balloon

Stay tuned

I’m not sure when each of these sculptures will show up in the gallery. More than likely Bling or My Balloon will make an appearance first, as Change Up is a more suited to the theme of my September feature show. I have been a playing catch up with inventory these past few weeks (one reason you haven’t seem many posts.) I will let you know when I drop anything off, or make it available for purchase elsewhere.

New Puffin and Some Prints

A short post just to catch you up on some new work and happenings.

Another Proud Fisherman

I was sketching a few weeks ago, and decided that I’d like to revisit my little puffin fisherman, but in a more minimalist fashion. So, let me introduce “Proud Fisherman #2”. This puffin has placed his catch on the ground to share how magnificent it is. He didn’t stay on my work table long, as I had some empty pedestals in the gallery to fill, so here’s a shot of him in the gallery.

He is needle felted wool over a wire and quilt batting armature, with hand sewn glass bead eyes.

New Prints

I have been dropping off additional prints from time to time, and thought that I’d share the latest batch composed from fresh flowers and leaves on the gell plate. All of these prints are one of a kind acrylics on paper with some watercolor hand finishing.

Teapot Show is now up at Cedar Creek Gallery

I shared “Tea With My Octopus Teacher”, my uniqe octopus-teapot-purse with you here and wanted to let you know that the National Teapot Show XII is now in full swing. The 200 or so teapots, can all be seen in person at Cedar Creek, or purchased online on their website. Here is the direct link to my piece… https://cedarcreekgallery.com/collections/national-teapot-show-xii/products/lynn-wartski-tea-with-my-octopus-teacher

Bears and Happy Accidents

Mommy ‘n Me Bears

As I have been prepping sketches for this year’s Featured Artist show, I have been scanning images online. It is something I do in the planning phase of most sculptures I create. As I may have mentioned, I’ve been working on sculptures with multiple animal figures. A cold search for images with 2 or more animals has yeilded many points of inspiration. One image that caught my eye depicts two bears. In the photo, a momma grizzley bear stands on all fours with her young cub presumably along for the ride on her back. The youngest of the two bears looks so very comfortable and content. This is the feeling I strove to evoke in my piece Mommy ‘n Me.

anthropomorphic needle felted bear art doll sculpture, with cub on mother's back — Mommy ‘n Me

The mother bear is needle felted wool over a wire and quilt batting armature form. The young bear is wool over batting, and is felted on to mom’s back. Both bears have hand sewn glass bead eyes.

Happy, But Not Completely by Accident

Last week, I introduced some of my gel plate monoprints. I mentioned it is a process in which you do a lot of learning by doing, seeing what works and what doesn’t. There are a couple of points in the production of each print where you hold your breath… Will the photo-transfer of the lazer print be clear on the plate? Will the whole print come off the plate clean? What will result of the final mixing of the foreground layer and the background colors?… There is a certain amount of variability in each print that is somewhat out of your control. So, it is a moment of surprize each time you peel back your final paper.

One such print I produced yesterday is Flower Print #3. This print has several layers. I pressed a composition of flowers from my garden in a layer of blue and green and pulled off the negative space around them. I then applied a second background layer of yellow and white. Finally, I did a single overprint of yellow on the side facing full bloom. The result is a quite painterly looking print of my flower composition.

3 color original monoprint acrylic on paper using spring flowers - Flower Print #3 - 8x10 — Flower Print #3 – 8×10

Additionally, I did a photo-transfer of an image of my sculpture Remember Whales. It is always exciting when the print transfer has a nice crisp impression. I created this print with a mixture of green and blue in the foreground, a white background layer, and just a touch of watercolor to highlight his eye.

3 color monoprint photo-treansfer original in acrylic on paper - based on image of lynn's sculpture — Remembering Whales #1

Both prints are now available at the Hillsborough Gallery of Arts. It will be a bit of time before the bears arrive.

Wartski Art Dolls and Sculpture

Art dolls and mixed media sculpture