Tag Archives: art doll

Octopus Escape

Does That Octopus look Familiar?

This little octopus may look familiar, as she is a rework of an earlier piece. You may recall that I created a “teapot” purse sculpture for the Cedar Creek Gallery bi-annual National Teapot Show last year? That functional (purse) – non-functional (teapot) sculpture occupied our HGA window for a month or so. It seems direct late spring North Carolina sun was a bit too much, and the red of the octopus sun bleached a bit. The subtle color difference was undetectable to most, but I knew it was there. The sculpture came back to the studio for some rehab.

Needle felted anthropomorphic octopus sculpture holding a shell on head
Fashion Or Camouflage?

I loved the original sculpture and its nod to the popular documentary My Octopus Teacher, but I didn’t want to just refresh it. I removed the little figure from her perch on top of the teapot/purse, and repositioned her. She needed some (actually a lot) additional suckers for the bottom of several legs. She also needed a color refresh in her faded areas. I accomplished this by overfelting more fiber in those areas. Luckily, I had some of that wool left! Her scallop shell accessory, is an addition inspired by the original MOT doc, and a newer docuseries on National Geographic. In both, you see these intelligent creatures utilize a variety of objects. This octopus now asks the question “Fashion Or Camouflage?”

This new-ish version of this octopus is needle felted wool over quilt batting. She does not have an internal wire armature. Her pose is accomplished by stategic sewing and felting. The eyes are iridecent black glass beads. The scallop shell is needle felted wool over quilt batting.

Needle felted anthropomorphic octopus sculpture holding a shell on head
Fashion Or Camouflage 2

Fashion Or Camouflage is headed to HGA next month for my feature show.

Finished up several more “Flutterbys” last week. Five Flutterbys (these three and the two I shared last week) will have to be the limit. It was starting to feel a bit like production, and that’s where I tend to bow out. I like to keep such items special. They will become available when the show installs on July 22nd.

green sea turtle wall hanging sculpture. needle felted crazy quilt shell patchwork

Wall Sculptures:

Green Sea Turtle and Flutterbys?

I haven’t created sculptures for the wall in quite some time. At one point almost all my sculptures were wall hanging. Over time I’ve found my niche in pedestal top scale works. So, why some wall pieces this time around? Partially, it is what evolved out of the ideas I was sketching. I just followed where those works were leading me. But equally, it is a “necessity being the mother of invention” situation.

As the year has progressed, factors outside of our control have lead to my upcoming feature show being myself and just one other HGA artist, Ellie Snow. This is both great and terrifying at the same time. If you visit her website, you will see that there will no doubt be interesting and vibrant interplay between her abstacted landscapes and my creatures. That’s the great part, the terrifying portion is that our HGA feature shows usually include two 2D artists, and one 3D. Since there will be more available wall space this time around, I let myself follow sketches that cried to be wall hung. In the past, I would have figured out how to support such pieces on a base. Instead, I am letting them swim, crawl, or fly on the wall as they please.

Yuri The Wall Turtle

Yuri is named after a character in a YA novel titled Yuri’s Brush With Magic. Set on the North Carolina coast, this book was one of many written by my late mother-in-law, Maureen. The book weaves together Japanese folklore, art, magic, and turtle conservation. In this sculpture I pay homage to one of her other artistic endeavors, art quilts. Continuing my exploration of patterns I decided on a green sea turtle, where each segment of shell could be unique.

green sea turtle wall hanging sculpture. needle felted crazy quilt shell patchwork
Yuri

I drew from some of the pieces already completed for this upcoming show. You will find the zentangles, giraffe patterning, paisley, and what appears to be tie dye. Interspersed with my felted sections, are fabrics from the quilter’s stash. One area is made from precut squares that were, I assume, ready to be pieced together? The result, recalls “crazy quilt” technique. The “green” turtle also incorporates pieces from a recycled wool sweater on her head, flippers and tail.

Yuri’s construction keeps both wall, and pedestal top display possible. I included wire in the flippers and head, but her body is more of a large “bean bag” with poly pellets providing the volume and weight. Loops of high weight fishing line are stictched strategically under the base of one flipper, so she hangs in the position shown. She is a large piece measuring approximately 20 inches across.

Fluttering By

I’ve also created a series of whimsical creatures for the wall that are a hybrid of a butterfly and a human form. I’m refering to them as Flutterbys.

anthropomorphic butterly/human hybrid wall sculptures. Needle felted and wet felted elements
Flutterbys

The Flutterbys are a mix of needle and wet felting techniques. The base of their wings were achieved by nuno felting. This is a technique that involves wet felting on to a net like fabric. This allows you to achieve a very thin felted material. I then needle felt the additional detail elements on the wings.

The wings areattached to thin wire supports at their upper edges, and the human figures start with pipe cleaners. These are wrapped first in black yarn, and then finished with needle felted black wool. Wire and beads complete the antenna, and pressing with spray starch adds additional structure to their wings. They also hang from stitched fishing line on their back.

Remember to save-the-date: Friday, July 26th from 6-9pm, for the Natural Patterns reception. Stop by to see Yuri, the Flutterbys and all their pedestal top friends!

Brood XIX – Sound of Summer ’24

The sound of summer, almost?

Click… click.. click. click, click click-click-click whirrr. That’s my memory of the sound of summer cicadas. A strange almost mechanical sound that makes you think of the heat of summer. Well, it’s not quite summer (though it is hot enough here in NC.) And, the sound this time is quite different. It is a lound constant sound, somewhat like a car alarm going off near by. And, this sound doesnt build up, and then trail off in typical cicada fashion. Instead it is constant, from just as the day starts to warm, until the afternoon shadows start to lengthen. We were warned that Brood XIX, the emergence of both a 17 year and a 13 year brood cycle would be special. It hasn’t disappointed.

Brood XIX - the sound of summer, is a needle felted anthropomorhic cicada sculpture with vintage megaphone
Brood XIX – Sound of Summer

Left out?

I recall, just a few weeks ago feeling a little left out. Local friends were posting photos of cicadas everywhere, and remarking that the sound they made was deafening. We did not see or hear anything. But, we just needed to be patient. The bugs emerge as the ground reaches the appropriate temperature. We were just a bit further north and a little more shaded in the woods. Soon, I was sending video clips of the alien sound up to relatives in New England.

As a sculptor who focuses on cretures of various sorts, I could not pass up the chance to pay homage to the event. So, meet my cicada, Brood XIX – The Sound of Summer. He is needle felted wool, over a wire and batting form. I constructed his wings by stitching pip cleaners to tulle, and then needle felting wool over those wires, and on to the tulle to form veins. Two large orange-red glass beads are stitched in place for his eyes. I used some commercial deep red wool felt to form the cone of his megaphone. This was needle felted together, and then gold wool fiber was needle felted in place to form the rim, mouth piece, handle, and Roman numerals.

Brood XIX - the sound of summer, is a needle felted anthropomorhic cicada sculpture with vintage megaphone
Brood XIX – Sound of Summer – view 2

No Pattern Play?

The cicada is a little departure from the exploration of the animal print patterns I have been playing with in my sculpture lately. The cyclical nature of the brood’s emergence seems to be enough of a natural pattern to warrant his inclusion in this summer’s feature show. He’ll be at HGA beginning July 23rd.

Try, Try and Try Again.

Still a Work In Progress?

I know that I haven’t shared any new work for a few weeks. Work time at the table has been split between pieces for my summer feature show, and smaller items for our gallery’s Mother’s Day/spring Pop-up. I decided not to try to share images of all the mini sculptures. Time spent editing photos takes away from creating. My latest sculpture made me “try again” each time I looked at photos of it. Something just wasn’t quite the way I wanted it.

Meet Snow Joy, I might aptly refer to him as my recent nemesis. I continued my exploration of transformed animal print patterns with the idea of a snow leopard. Specifically, a snow leopard cub with some markings that appeared suspiciously like snowflakes. The result is Snow Joy.

anthropomorphic snow leopard sculpture needle felted wool over wire and batting armature, with "snow" leopard patterning. made artist try more reverse felting
Snow Joy

What wasn’t right about Snow Joy? He just needed more, more expression, more movement, and more fuzziness. In needle felting, a fuzzy surface is usually a no-no. The goal is to achieve a nice smooth surface to one’s work. The exception to this is when you want an intentionally fuzzy or long haired appearance. I encountered a challenge with this. The usual method used is more like rooting one end of the fibers, but this doesn’t lend itself to the surface patterning I was trying to achieve. As you might imagine I was unimpressed with the images I took of the completed piece.

Try Again

So, I reworked his coat some with a reverse felting needle. This unique needle does nothing as you stab into the wool, and pulls fibers up from below as you back out. I took more photos. Nope, still not right, try again. This time, I contorted the sculpture into a more exaggerated posture. I reattached it to the “rock” I felted as a partial base, and more reverse felting.

anthropomorphic snow leopard sculpture needle felted wool over wire and batting armature, with "snow" leopard patterning. made artist try more reverse felting
Snow Joy portrait

He’s closer now to what I had in my mind and sketchbook. Sometimes I need to take another step back and look again with fresh eyes. You may see some updated images as we get closer to show time. Stay tuned.

Snow Joy is needle felted wool over an armature of wire and quilt batting. His “rock” started out life as a wool dryer ball that I beat, squished, and felted into a different shape. I then felted grey and white wool in a marbling like pattern to the rock surface. Snow Joy’s coat has random crystals sewn to it, and his eyes are glass beads. I used fishing line for his whiskers, and dark transparent thread for his eye brow hairs.

Snow Joy may appear as you see in my FA show in July, or I may take another stab (pun intended) at him in the coming weeks.

Bee Now And Mini Later.

This week I turned my attention to some smaller “mini” pieces. I think that I mentioned before that HGA will be having another Pop-Up event in May on the Saturday (11th) before Mother’s Day. Though it would be wonderful for visitors to all want to give their moms one of my larger sculpture creations, I am realistic about Mother’s Day gifts. Most mother’s day gifting is in the form of smaller remembrances, flowers, cards, etc. Much like my one-of-a-kind ornaments for the holidays, I sketched up a few smaller sculpture ideas. So far, I have settled on a few anthropomorphic botanicals. I wanted to strike a balance of sweet for mom, but not too “cutesy.”

Meet the Mini Sculpts

From my work table are some small sculptures that would be at home on a book shelf, or desk corner. Meet mini Mush, Morel, and Thistle. They will make their debut at HGA for the Mother’s Day Pop-up. It may be hard to wait for their arrival, but May will be here before you know it. I will be creating a few more of these in the coming weeks, so check back to see them too.

Speaking of Gallery Debutants

You met Coronation, my queen bee, a couple of weeks ago. She came into the gallery with me today. She seems to already be making friends. I think that she makes a sunny addition to this front pedestal grouping. There is nothing mini about her presence.

Coronation of Queen Bee (anthropomorphic bee sculpture) at the Hillsborough Gallery of Arts
Coronation at HGA

Reminder:

This Sunday at 4pm, HGA will be hosting a performance by Mary Rocap, the singer songwriter who served as a muse for our yearly “It’s All About the Story” show. Me and many of my fellow HGA artists will also be in attendance and can guide you through our inspiration for the visual component of the show.

Update: My piece for the “It’s All About The Story” show, Venus Dances For Herself”, has already sold and gone to her new home. Normally, works in a feature show stay with a red dot until the end, but this was a special birthday purchase, so we let the piece go home with the customer. So, just in case you missed her…

Sacred Cow?

A cow patterned coat we all might recognize.

I continued my exploration of altering and reenvisioning animal prints and patterns this past week by considering the cow. The cow print is a friendlier, less threatening, less exotic animal pattern. Cows simultaneously hold wholesome (family farm), villainous (deforestation, climate, health), and even sacred reputations. This variability in how bovines are viewed is intriguing. The term “sacred cow” is equally intriguing. Rising from the Hindu veneration of the animal, it’s usage refers to something unreasonably immune to criticism or opposition. Finding that cows are also held as a symbol of Mother Earth inspired this piece as a “sacred cow” I could agree with.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning
Gaia – Sacred Cow

She is inspired by the ancient Greek godess, Gaia, who is the personification of Earth. I replaced the classic black and white patterning of her hide with the blue and green of the globe. Gaia is my first cow figure sculpture, but she may inspire more.

Gaia is needle felted wool, over a wire and quilt batting armature form, with iridecent glass bead eyes. Her horns are felted wool over a pipe cleaner support. The sculpture’s coat was created “coloring book” style. I marked her globe pattern by hand using outlines printed and cut from a simple world map. I then needle felted the green and blue areas with my colored wool. You supplied positive feedback from previous posts where I included process information and images like those below. I will try to remind myself to keep sharing photos and descriptions like these. It also aids viewers in understanding the creation time involved in each piece.

Though she was quite time consuming, I am happy with the results.

Gaia will most likely make her gallery debut this summer for my feature show at HGA. Stay tuned for further information.

Queen Bee.

My thoughts this past week have turned to spring. I know it is a tad early, but living in the south provides this transplanted yankee with a bit of a head start. I have been patiently (ok, not really) awaiting the opening of some of the early blooms in the garden, so I can create some new botanical gell press prints. While those buds have stubbornly stayed closed, I turned my attention to a queen bee sketch I had recently created.

Coronation of the Queen

That sketch is actually the second or third incarnation of this figure in my book. Initial attempts taught me that a more biologically accurate figure might not be wise. For example, insect mandibles make a sweet smile difficult. Likewise, the last pair of legs that should also be attached to the insect’s thorax appeared gangly. So, I settled on a bit more anthropomorphication than usual, even if against my former biology teacher inclinations. The result is my queen bee, Coronation.

Queen bee figure. Anthropomorphic needle felted sculpture with copper, glass bead and crystal embellishments.
Coronation

Queen Bee Construction

Coronation is decked out all her finest regalia. Her crown is felted wool over wire with hand sewn beads and crystals. Her scepter is a painted and wire wrapped dowel with a wire and bead honeycomb head. The hive orb she holds is needle felted wool over batting with crystal embellishments. The bodice of her dress is a metalic trim with a pattern that appears hexagonal when stretched. Her wings form a “robe” over her shoulders. I created these by nuno-felting white wool fiber over a fine tule mesh, and “veining” with metallic thread. The wings are sewn on to the copper wing wires, and then finished by pressing with spray starch. The bottom of her gown’s fitted skirt, is slightly flared and ends in a “stinger” train which allows her to stand upright.

I took process images while I created this piece. I personally enjoy seeing how an artist gets from point A to B, so I thought you might appreciate it as well.

  • Queen bee figure. Anthropomorphic needle felted sculpture with copper, glass bead and crystal embellishments.
  • wire armature of queen bee figure.
  • wire armature of queen bee figure.
  • wire armature of queen bee figure, weighted feet detail
  • felted quilt batting and black yarn over wire armature
  • Queen bee figure. Anthropomorphic needle felted sculpture with copper, glass bead and crystal embellishments.

Instead of holding this piece for my featured artist show this summer, I think I may bring her in to the gallery as a herald of spring. Who know’s, perhaps she is the perfect Mother’s Day gift for someone’s own queen bee.

It’s Not All Springy

This past holiday season taught me a thing or two. One lesson was that people seem to appreciate my one-of-a-kind felted ornaments. A second lesson, was that I could hardly keep them in stock. As a result, I’m trying to spread their creation out over the year a bit. I already put a couple away, but thought I’d share the one that was still sitting on my work table. It is somewhat different from what you may be used to, as it isn’t a figure, but instead a ball that uses a wool dryer ball as its base. It is just the third of this type that I’ve created, and titled Winter Twilight #2.

Zentangle Zebra, Zen-bra? Zeb-tangle?

Either way, it’s a horse of a different stripe.

Continuing my sketchbook exploration into animal patterns, I came up with the idea of a zentangled zebra. Zebra stripes provide a great graphical element, and I have played with zebras and their stripes before. My first was titled Morph. Morph’s black stripes merged into the black lines of a butterfly’s wings, as those wings then diverged from black and white into a rainbow. A second zebra, titled Everything has a Price, has stripes on of one of its side flanks that transform into a barcode label.

I think that I have finally settled on the title Zen-bra for this latest striped figure. This dimunitive equine stands about 9″ tall. She is needle felted wool over an armature of wire and quilt batting. Her eyes are hand sewn glass beads, and I sewed her hooves from faux leather. I played with stylized zentangle patterns within the confines of many of her black stripes and a few of the white spaces. The result is a trubute to the art of the mindful doodle.

Zen-bra will not appear in the gallery until this summer as she is part of the show Natural Patterns.

Something for May

I also completed a couple of small functional pieces this week, They are in preparation of an event this May at the Hillsborough Gallery of Arts. On Saturday, May 11th the gallery is planning a Mother’s Day Pop-Up. This event will be similar to the Holiday Pop-Up this past December, and will feature items perfect for Mom. I will update you on addtional items from myself, and other HGA artists that will be available that day. In the mean time, a little teaser… Two “Tokyo tie” hand bags with needle felted embellishments. I constructed the bags from commercial felt and a contrasting fabric liner. They each feature original embellishment, and a snap closure.

Peace and Procedure –

First a little Peace.

Seems we could all use a little peace right now. My latest anthropomorphic figure sculpture is a “tie dyed” giraffe named Peace. I looked at numerous sources for the symbolism attributed to the giraffe, and grace, gentleness, and peace came up over and over. You may recall several other giraffe sculptures, like last years’ Change Up. They are an animal that I find I enjoy sculpting. Giraffes have such interesting forms and proportions. I think I find them simultaneously graceful and comical.

Peace is a "tye dye" giraffe sculpture. Needle felted wool over wire and quilit batting armature.
Peace

Peace stands about 15″ tall, and casts a glance at her viewer from under long magenta lashes. She is needle felted wool, over a wire and quilt batting armature. Her hooves are hand-stiched faux leather, and her eyes are iridecent glass beads.

close up of Peace "tye dye" giraffe sculpture. Needle felted wool over wire and quilit batting armature.
Peace’s portrait

I created Peace using a different approach. Needle felting is usually done with loose wool roving fibers, but this unique hide pattern required something different. I hand dyed wool prefelt using alcohol inks, and then cut the individual blocks of color and needle felted them to the sculpture.

Not Quite Tie Dye Procedure

There is a faux tie dye method you may be aware of that uses permanent Sharpie type markers, and alcohol. I modified that process using drops of alcohol inks in place of drawing dots with markers.

  1. prefelt fabric is stretched across plastic cup and secured with rubber band
  2. drops of alcohol ink
  3. alcohol is dropped over ink drops allowing colors to spread and mix
  4. mixing of colors
  5. complete panel
  6. dyed prefelt after rinsing and heat set in dryer

Peace will probably not make an appearance in the gallery until this summer for my feature show at the Hillsborough Gallery of Arts. She is the first of several sculptures for that show. These sculptures will feature animals that have distinctive “animal print” coat patterns that I have altered in some way.

Venus Dances For Herself - anthropomorphic dancing rabbit sculpyure with celestial designs. needle felted wool

More Dancing Rabbits?

Yes, more dancing rabbits.

Happy New Year! Now that the holiday season has past, it is time to turn attention to shows for the new year. Currently, at The Hillsborough Gallery of Arts there is a show featuring the work of past member artists titled, Past To Present. It is definitely worth a visit to check out, and will be up through February 18th.

What about the Dancing Rabbits?

Opening in February, we again will be presenting our “It’s All About The Story” show. This year, we are partnering with a local songwriter and musician, Mary Rocap. We have created work in response to her music, and yes, I have again turned to dancing rabbits. Actually, just one rabbit this time. You may recall the pair of dancing rabbits I created in response to Jaki Shelton Green’s poetry last year. This year’s representative of the family Leporidae is titled Venus Dances For Herself, and she was inspired by Mary’s song Jupiter and Venus.

The song is a reimagining of the myth based on the December sky conjunction of the two planets. My sculpture is a reimagining of Mary’s song. She tells the tale of Venus’s yearly plea to Jupiter to accept her and Mars’ love child. My Venus is dancing to please herself, and doen’t care if she has Juputer’s approval. She is dancing with her own joy.

Venus Dances For Herself is needle felted wool over a wire and quilt batting armature. Her black coat is patterned with swirls, stars, and a sylized Venus “tattoo.”

Venus Dances For Herself - anthropomorphic dancing rabbit sculpyure with celestial designs. needle felted wool
Venus Dances For Herself – “tattoo” detail

Venus is further embellished with hand sewn crystal and glass beads. Her eyes are irridecent glass gems that are glued and felted in position, and her whiskers are fashioned from fishing line.

I will remind you about Venus, and the story show again as the date approaches.