Tag Archives: art

More to Adorn the Tree

Just in case I haven’t shared enough new one-of-a-kind ornaments to adorn your tree, here are a few more.

anthropomorphic needle felted mouse ballerina ornament to adorn the tree — Sugarplum Mouse

Last year, I created a sugarplum bunny, this year my primary fairy dancer role goes to a mouse. She has a magenta tutu and matching slippers. The skirt of her dance dress has some sparkly spangles, and her neckline and tiara feature cut cystal beads. She is ready to entertain and delight.

needle felted ornament with pair of polar bears teaming up to adorn tree with star — Star Placement

In past years I created batches of polar bears and puffins. They were the first needle felted ornaments I designed. This year I’ve decided to do only one-of-a-kind ornaments, but I had two little polar bear cubs left from last year. So, I decided to team them up into a Star Placement team. I changed them a bit, sewed new eyes, and added toe and foot pads. They have their first star and are ready to go to work. Maybe they can help with your tree.

Perhaps something a bit more exotic?

Anthropomorphic needle felted zebra ornament adorned with a festive polka dot scarf — Festive Print Mixing

Continuing my exploration of animal prints from my feature artist show this year. Festive Print Mixing is a zebra with a colorful contrasting polka dot scarf. She is ready to make a bold impact on any tree.

Anthropomorphic needle felted camel ornament with tree — Overland Tree Delivery

Overland Tree Delivery is a camel on a treck to delliver a tree ready to adorn with all types of its own ornaments. This dromedary requires no GPS, and can deliver enchantment for no extra fee.

Many of these holiday ornaments, and the others I have previously shared will be arriving at the Hillsborough Gallery of Arts in a couple weeks. I am also planning on doing a one evening holiday market just prior to the installation of our gallery’s holiday show. I am waiting on the information and promotional materials for that event, and I will pass them along as soon as I get them.

House Hippo?

I didn’t know what they were either.

Recently I came across several posts on social media where the poster was very excited about finding a house hippo. These were usually accompanied by a photo of a figure from a thrift shop. I became intrigued. What was a house hippo, and why would someone be so exicted to find one?

So I Searched House Hippo (digitally)…

I found information about a Canadian public service announcement commercial from 1999. The original ad campaign was aimed at helping kids decern fact from fiction on television. An updated version was launched in 2019 and focuses on digital media by Media Smarts.

Take the time to click the link above to the original commercial. It is charming, and effective. The former science educator in me loves it when critical thinking is delivered in a creative way. No wonder people were happy to find a house hippo of their own. I decided to create one. Now, someone can come across this one in the gallery and provide it with a happy home.

One-of-a-kind needle felted house hippo figure sculpture holding a (felted) potato chip — Happy House Hippo Found a Chip

As you see, he already found a potato chip to snack on. Maybe that may help to keep him out of the snack cupboard? However, I can’t make any promises that he will not steal a sock or two to make his nest.

This sculpture was created without a wire armature. His stout little legs are more than sturdy enough for him to stand on. He is needle felted wool over a core of quilt batting. I mixed two different tones of grey to make his hide. The eyes are irridecent glass beads that are sewn in place. The potato chip is needle felted wool, and felted in place. I added a few whiskers by sewing in dark “transparent” thread, and eyelashes by working the wool above the eyes with a reverse needle.

This little hippo will show up at the Hillsborough Gallery of Arts soon. Of course, I have to bring myself to let him go from my house first.

Cliche?

This little pig is a little cliche, and a little different

“When pigs fly” is a somewhat over used animal idiom. So much so, that when I thought of creating a pig with wings, I almost stopped myself from being cliche. Just today, scrolling through social media I saw another needle felted pig with wings. I had just finished taking photos of my own sculpture, and was glad that there was not much resembelence.

A Little Cliche is a needle felted anthropomorphic pig with wings sculpture — A Little Cliche

My pig is sitting sraight up looking at its viewer. I created a pair of brightly colored butterfly wings instead of birds wings. I think that the fragility of the butterfly wings increases the unlikely nature of flight. It also provides the figure with a more magical fairytale quality.

“A Little Cliche” is needle felted wool over a wire and quilt batting armature with glass bead eyes. The wings of this piece required some experimentation. I started out wet nuno felting the fibers on cheesecloth. I was not as happy with the amount of fiber on the backside of the wings, so I started to work them with needles. This unfortunately broke some of the netting, so I had thread ends sticking out. My solution was to felt that nuno felt to a thin layer of prefelt. This encapsulated the netting (and broken threads) and provided a nice amount of soft coloring on the inside of the wings. I spray starched and pressed the wings to provide a little more stability, and then added them to the pig figure.

An Original

The other small sculpture I completed this week is Singing Shroom. There isn’t much that is cliche about this figure. He is a continuation of my mini pieces, though he is a bit larger than the others. This anthropomorphic fungus is singing a tune. He is needle felted wool over a quilt batting wrapped chopstick segment, and secured to a natural wood base.

Anthropomorphic needle felted singing mushroom sculpture — Singing Shroom

As Promised

Last week I promised to share some ornaments that began life as wool dryer balls. Here are two that I’ve created so far for this year. These ornaments are more like “painting” with the wool fiber on the curved surface of the dryer balls. Each is finished off by stitching and felting a yarn loop on the top.

needle felted holiday ornament with silhouetted moose/lansdcape design — Moose Twilight

needle felted holiday ornament with cardinal bird on branch design — Moose Twilight

A Little Bird

A Little Bird Told Me.

My brain usually needs some downtime after putting together a new show. This break does not need to be unproductive. I provided myself with this cognative break by working on a few of my one-of-a-kind holiday ornaments. Yes, that’s right, I said holiday ornaments. They take time to produce, and it’s less of a mountain climb if you do a few at a time. Following a few of these celebral “palate cleansers”, I started to ponder idiomatic expressions that contain animals. I’ve have at least one past work “Out of Water“, a koi with a parasol that falls in this category. The idiom I chose this time around is “a little bird told me.”

needle felted anthropomorphic indigo bunting bird sculpture with hat and messanger bag on natural stick base — A Little Bird Told Me

The result is an indigo bunting perched on a branch with a cap and a messenger bag. This cheery little fellow has a message for the viewer. He is one of those pieces that seems to bring a smile, so I can only assume he has good news to share.

Little Bird is needle felted wool over a wire and quilt batting armature. His large black glass bead eyes are sewn in place. The messenger bag is stitched and felted together from felt fabric, with an embroidered metallic thread “clasp”. His legs combine wire and pipe cleaners that are wrapped with black yarn that is felted in place and wrapped with thread. The stick base was stripped of its bark, sanded, and sealed. I attached the bird to the base by drilling small holes, and stitching the clasping feet in place at those points.

It’s beginning to look a lot like…

No, it’s not. It’s 90+ degrees out, and thunderstorms are probably on the way. Even so, I have been working on holiday ornaments when the opportunity presents itself. I I’m not going to say a lot about them right now. None of them are available for purchase at this time, but I will let you know when they are.

Chicken (bird) with antlers one-of-a-kind needle felted holiday ornament for 2024 — Rein-chicken

raccoon with snowball one-of-a-kind needle felted holiday ornament for 2024 — Rein-chicken

This is just the beginning of these special little mini-sculptures. I’ve also started several ball type ornaments that begin with a commercial wool dryer ball as their core. I’ll share some of those images next time around.

Some More Process

I received positive feedback last week when I shared a bit of work-in-process video for my Chimera. This week, I used the time-lapse setting on my phone camera to capture me creating a botanical mono-print. These one-of-a-kind works on paper are an enjoyable addition to my gallery offerings. The result is a piece of original art that is very affordable. You may recall, that I also use this process to create original images of my sculptures using a photo transfer method.

Making a botanical mono-print

Show Still Up!

Don’t forget, my featured artist show along with Ellie Snow, Natural Patterns: Flora and Fauna is still up through August 25th at The Hillsborough Gallery of Arts. Hope you get the chance to see the show before it ends. The work displayed together is kind of magical.

Process

Each year, the gallery produces a video for each artist for feature show promotion. I’m not a fan of these videos personally, but they are useful on social media. I like my work to speak directly to the viewer, not me. I do my part, and film my video. If you follow the gallery on social media, you may have caught mine. If not, you’re not missing anything if you’re a regular reader here and know what I’m creating anyway.

I do like to produce videos that show my process and techniques. I have been trying to improve taking them as I work. It is a challenge, because you have to stop and start while you are working. I tend to get into a flow when I’m sculpting, and then realize that I didn’t stop to film! I did take a step to help myself improve on this by buying a new work lamp that also serves as a ring light and phone clamp.

Chimera Process

I took some video clips while sculpting the last piece I shared with you, Chimera. I edited these little clips into a short video. Watching a process video can answer many of the common questions people ask me about my work. Is there an armature? How to you attach the eyes? How are the different colors and patterns in the wool achieved? In the video you will see that the answers are: yes, sewn in, and by felting different colors of wool to the surface.

Making Chimera

Stop In And See The Show!

Natural Patterns: Flora and Fauna my feature show at the Hillsborough Gallery of Arts with painter Ellie Snow is up through August 26th. Stop in and see all my newest work in person. Perhaps you will find that one of my creatures needs to find a new home with you!

Octopus Escape

Does That Octopus look Familiar?

This little octopus may look familiar, as she is a rework of an earlier piece. You may recall that I created a “teapot” purse sculpture for the Cedar Creek Gallery bi-annual National Teapot Show last year? That functional (purse) – non-functional (teapot) sculpture occupied our HGA window for a month or so. It seems direct late spring North Carolina sun was a bit too much, and the red of the octopus sun bleached a bit. The subtle color difference was undetectable to most, but I knew it was there. The sculpture came back to the studio for some rehab.

Needle felted anthropomorphic octopus sculpture holding a shell on head — Fashion Or Camouflage?

I loved the original sculpture and its nod to the popular documentary My Octopus Teacher, but I didn’t want to just refresh it. I removed the little figure from her perch on top of the teapot/purse, and repositioned her. She needed some (actually a lot) additional suckers for the bottom of several legs. She also needed a color refresh in her faded areas. I accomplished this by overfelting more fiber in those areas. Luckily, I had some of that wool left! Her scallop shell accessory, is an addition inspired by the original MOT doc, and a newer docuseries on National Geographic. In both, you see these intelligent creatures utilize a variety of objects. This octopus now asks the question “Fashion Or Camouflage?”

This new-ish version of this octopus is needle felted wool over quilt batting. She does not have an internal wire armature. Her pose is accomplished by stategic sewing and felting. The eyes are iridecent black glass beads. The scallop shell is needle felted wool over quilt batting.

Fashion Or Camouflage is headed to HGA next month for my feature show.

A Bit More Fluttering

Finished up several more “Flutterbys” last week. Five Flutterbys (these three and the two I shared last week) will have to be the limit. It was starting to feel a bit like production, and that’s where I tend to bow out. I like to keep such items special. They will become available when the show installs on July 22nd.

needle felted wall hanging butterfly/figure sculpture — Flutterby 3

Brood XIX – Sound of Summer ’24

The sound of summer, almost?

Click… click.. click. click, click click-click-click whirrr. That’s my memory of the sound of summer cicadas. A strange almost mechanical sound that makes you think of the heat of summer. Well, it’s not quite summer (though it is hot enough here in NC.) And, the sound this time is quite different. It is a lound constant sound, somewhat like a car alarm going off near by. And, this sound doesnt build up, and then trail off in typical cicada fashion. Instead it is constant, from just as the day starts to warm, until the afternoon shadows start to lengthen. We were warned that Brood XIX, the emergence of both a 17 year and a 13 year brood cycle would be special. It hasn’t disappointed.

Brood XIX - the sound of summer, is a needle felted anthropomorhic cicada sculpture with vintage megaphone — Brood XIX – Sound of Summer

Left out?

I recall, just a few weeks ago feeling a little left out. Local friends were posting photos of cicadas everywhere, and remarking that the sound they made was deafening. We did not see or hear anything. But, we just needed to be patient. The bugs emerge as the ground reaches the appropriate temperature. We were just a bit further north and a little more shaded in the woods. Soon, I was sending video clips of the alien sound up to relatives in New England.

As a sculptor who focuses on cretures of various sorts, I could not pass up the chance to pay homage to the event. So, meet my cicada, Brood XIX – The Sound of Summer. He is needle felted wool, over a wire and batting form. I constructed his wings by stitching pip cleaners to tulle, and then needle felting wool over those wires, and on to the tulle to form veins. Two large orange-red glass beads are stitched in place for his eyes. I used some commercial deep red wool felt to form the cone of his megaphone. This was needle felted together, and then gold wool fiber was needle felted in place to form the rim, mouth piece, handle, and Roman numerals.

No Pattern Play?

The cicada is a little departure from the exploration of the animal print patterns I have been playing with in my sculpture lately. The cyclical nature of the brood’s emergence seems to be enough of a natural pattern to warrant his inclusion in this summer’s feature show. He’ll be at HGA beginning July 23rd.

Over The Rainbow

Frogs, Frogs and a Rainbow of Frogs

Continuing my explorartion of distinctive animal prints led me to consider poison dart frogs. These tiny little inhabitants of the rainforest come in a literal rainbow of bright colors. Their patterns say “see me” and also “leave me alone!”

Instead of changing or altering their patterns in any way, I used their natural looks to create a rainbow. I guess it would more acurately be described as a frog pyramid, but the shades of the spectrum are present in an arching form.

sculpture rainbow pyramid of anthropomorphic poison dart frogs in needle felted wool over wire and batting armature — Poison Rainbow

This piece stands about 14″ tall. The individual frogs are quite a bit larger than they are in real life (.75 – 1.5″ long.) Each frog is approximately 5 inches from nose to tail. I created the individual frogs separately. All began with a wire armature wrapped in quilt batting. Reference photos provided the colorful patterns that I felted on to the surface of each. Each of the amphibians is finished off with large glass bead eyes that are sewn in place.

Once each frog was sculpted, I played around with different configurations to create a self-supporting structure. An additional wire was run through most of the frogs to provide additional stability to the final form. I then stitched and felted the frogs to each other wherever two connect together. The final sculpture was then secured to two layers of thick felt for additional stability.

This rainbow of frogs will make its debut at my feature show at The Hillsborough Gallery of Arts during the Last Friday Art Walk in July.

So, Not Quite Done

I returned to my little snow leopard cub, Snow Cat. I fuzzed out his coat a bit more, and took some new images against a dark background. He might actually be done now?

Bee Now And Mini Later.

This week I turned my attention to some smaller “mini” pieces. I think that I mentioned before that HGA will be having another Pop-Up event in May on the Saturday (11th) before Mother’s Day. Though it would be wonderful for visitors to all want to give their moms one of my larger sculpture creations, I am realistic about Mother’s Day gifts. Most mother’s day gifting is in the form of smaller remembrances, flowers, cards, etc. Much like my one-of-a-kind ornaments for the holidays, I sketched up a few smaller sculpture ideas. So far, I have settled on a few anthropomorphic botanicals. I wanted to strike a balance of sweet for mom, but not too “cutesy.”

Meet the Mini Sculpts

From my work table are some small sculptures that would be at home on a book shelf, or desk corner. Meet mini Mush, Morel, and Thistle. They will make their debut at HGA for the Mother’s Day Pop-up. It may be hard to wait for their arrival, but May will be here before you know it. I will be creating a few more of these in the coming weeks, so check back to see them too.

anthropomorphic mushroom figure sculpture , needle felted wool over wire and quilt batting, glass bead eyes, and accents

anthropomorphic morel mushroom figure sculpture, needle felted wool over wire and quilt batting, iridecent bead eyes

Anthropomorphic thistle flower sculpture designed to sit on shelf edge. needle felted wool over wire, glass bead eyes.

Speaking of Gallery Debutants

You met Coronation, my queen bee, a couple of weeks ago. She came into the gallery with me today. She seems to already be making friends. I think that she makes a sunny addition to this front pedestal grouping. There is nothing mini about her presence.

Coronation of Queen Bee (anthropomorphic bee sculpture) at the Hillsborough Gallery of Arts — Coronation at HGA

Reminder:

This Sunday at 4pm, HGA will be hosting a performance by Mary Rocap, the singer songwriter who served as a muse for our yearly “It’s All About the Story” show. Me and many of my fellow HGA artists will also be in attendance and can guide you through our inspiration for the visual component of the show.

Update: My piece for the “It’s All About The Story” show, Venus Dances For Herself”, has already sold and gone to her new home. Normally, works in a feature show stay with a red dot until the end, but this was a special birthday purchase, so we let the piece go home with the customer. So, just in case you missed her…

Venus Dances For Herself - anthropomorphic dancing rabbit sculpyure with celestial designs. needle felted wool — Venus Dances For Herself

Sacred Cow?

A cow patterned coat we all might recognize.

I continued my exploration of altering and reenvisioning animal prints and patterns this past week by considering the cow. The cow print is a friendlier, less threatening, less exotic animal pattern. Cows simultaneously hold wholesome (family farm), villainous (deforestation, climate, health), and even sacred reputations. This variability in how bovines are viewed is intriguing. The term “sacred cow” is equally intriguing. Rising from the Hindu veneration of the animal, it’s usage refers to something unreasonably immune to criticism or opposition. Finding that cows are also held as a symbol of Mother Earth inspired this piece as a “sacred cow” I could agree with.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning — Gaia – Sacred Cow

She is inspired by the ancient Greek godess, Gaia, who is the personification of Earth. I replaced the classic black and white patterning of her hide with the blue and green of the globe. Gaia is my first cow figure sculpture, but she may inspire more.

Gaia is needle felted wool, over a wire and quilt batting armature form, with iridecent glass bead eyes. Her horns are felted wool over a pipe cleaner support. The sculpture’s coat was created “coloring book” style. I marked her globe pattern by hand using outlines printed and cut from a simple world map. I then needle felted the green and blue areas with my colored wool. You supplied positive feedback from previous posts where I included process information and images like those below. I will try to remind myself to keep sharing photos and descriptions like these. It also aids viewers in understanding the creation time involved in each piece.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning - marking map outline

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning - felting map detail

Though she was quite time consuming, I am happy with the results.

Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning - close up of sotth pacific

back view of Gaia - Sacred Cow sculpture, needle felted wool over wire and batting armature with globe patterning

Gaia will most likely make her gallery debut this summer for my feature show at HGA. Stay tuned for further information.

Wartski Art Dolls and Sculpture

Art dolls and mixed media sculpture