Tag Archives: mixed media

Bears and Happy Accidents

Mommy ‘n Me Bears

As I have been prepping sketches for this year’s Featured Artist show, I have been scanning images online. It is something I do in the planning phase of most sculptures I create. As I may have mentioned, I’ve been working on sculptures with multiple animal figures. A cold search for images with 2 or more animals has yeilded many points of inspiration. One image that caught my eye depicts two bears. In the photo, a momma grizzley bear stands on all fours with her young cub presumably along for the ride on her back. The youngest of the two bears looks so very comfortable and content. This is the feeling I strove to evoke in my piece Mommy ‘n Me.

anthropomorphic needle felted bear art doll sculpture, with cub on mother's back — Mommy ‘n Me

The mother bear is needle felted wool over a wire and quilt batting armature form. The young bear is wool over batting, and is felted on to mom’s back. Both bears have hand sewn glass bead eyes.

Happy, But Not Completely by Accident

Last week, I introduced some of my gel plate monoprints. I mentioned it is a process in which you do a lot of learning by doing, seeing what works and what doesn’t. There are a couple of points in the production of each print where you hold your breath… Will the photo-transfer of the lazer print be clear on the plate? Will the whole print come off the plate clean? What will result of the final mixing of the foreground layer and the background colors?… There is a certain amount of variability in each print that is somewhat out of your control. So, it is a moment of surprize each time you peel back your final paper.

One such print I produced yesterday is Flower Print #3. This print has several layers. I pressed a composition of flowers from my garden in a layer of blue and green and pulled off the negative space around them. I then applied a second background layer of yellow and white. Finally, I did a single overprint of yellow on the side facing full bloom. The result is a quite painterly looking print of my flower composition.

3 color original monoprint acrylic on paper using spring flowers - Flower Print #3 - 8x10 — Flower Print #3 – 8×10

Additionally, I did a photo-transfer of an image of my sculpture Remember Whales. It is always exciting when the print transfer has a nice crisp impression. I created this print with a mixture of green and blue in the foreground, a white background layer, and just a touch of watercolor to highlight his eye.

3 color monoprint photo-treansfer original in acrylic on paper - based on image of lynn's sculpture — Remembering Whales #1

Both prints are now available at the Hillsborough Gallery of Arts. It will be a bit of time before the bears arrive.

Fish and Print?

Print first…

I have been playing in the studio with the idea of presenting images of my work as well as the sculptures themselves. I did not want to merely produce cards and prints of the photos I take of my work. The process of producing gel plate monoprints caught my eye, and I decided to try my hand at this unique medium. This type of print uses a synthetic surface that looks and feels like a slab of gelatin. Each of the prints produced is an unique original piece of art. You can utilize a wide variety of media as the printing “ink.” I have been using regular acrylic paints to produce mine. One gel print technique allows you to use lazer prints (and some magazine images) to incorporate photo transfers. I have used this to create something completely new from the work images I share here with you.

The process can be a bit temperamental, so I’ve been doing a lot of experimenting and learning. I finally have produced a few pieces that I’m happy with, and will be taking them into the gallery in the form of matted prints (5×7 & 8×10) and some blank note cards. So far, I’ve produced photo transfers of my work, and some completly original print art using found objects like spring flowers. Each piece is completely unique, and may include over printing, multiple colors, or hand coloring with watercolors to finish. Below are a few examples…

Matted Prints

8x10 monoprint photo transfer of rabbit sculpture hand coloring — Rabbit Games and Midnight Rainbows

8x10 monoprint photo transfer of zebra-butterfly sculpture — Morph in Blue print

8x10 monoprint of penguin sculpture — So Many Questions print 1

5x7 matted spring flower monoprint — Flower monoprint #2

I will bringing the cards and prints into the Hillsborough Gallery of Arts as soon, as I get them all priced, labeled and entereded into inventory… Hopefully, in the next day or so.

… Then the Fish

aquatic themed needle felted mobile hanging sculpture — Conversation Bubbles

Conversation Bubbles is my newest anthropomorphic sculpture. This hanging mobile sculpture is something a little different. The piece features three needle felted aquatic creatures. I took some liberties with the exact species, but they based on a yellow tang, a pink tailed trigger fish, and a mauve stinger jellyfish.

The glass bead “bubbles” raising from the two fish are my marine version of cartoon conversation bubbles. Not sure what they are talking about, but it may have something to do with a gulf jellyfish being in their tropical Hawaiian reef.

Both of the fish are needle felted wool over batting with glass bead eyes. The jelly fish features a nuno-felted layer over a majenta needle felted layer. The top of the jelly has hand sewn glass bead dots.

The mobiles hanging system brought me back out to my metal shop to hand forge the copper “waves” from wire. I used large jewelry jumprings and fishing swivels to attach the figures and beads with fishing line. I am not sure yet if I will hold this piece back for my show or not.

Show Opens Tomorrow!

And, there is more to share.

Time has a way of speeding up when you are real busy. I see that I haven’t posted in a few weeks, and BOOM! my featured artist show, Interconnected Visions, opens tomorrow evening at the Hillsborough Gallery of Arts. It appears I have some catching up to do.

First some additional introductions.

This is Showoff.

Waving anthropomorphic Malabar Giant Squirrel (Ratufa indica). Needle felted wool over wire and batting armature — Showoff

Showoff is a Malabar Giant Squirrel, Ratufa indica. Yes, they are a real animal, native to the forrests of India. Also, yes, some of them have purple-magenta-ish coloring. Mine is perhaps a bit more vibrant? It is hard to know for sure. I did find numerous photos just as colorful, but there is no way of knowing if the individuals who took those images might have enhanced them. I created Showoff simply because purple squirrels exist, and I think that is pretty fantastic. You may find it surprising, but it appears that their bright coloring actuallty helps them blend in among the treetops, as the patterning breaks up their outline. These squirrels are also quite large, roughly twice the size of the Eastern Grey squirrel.

My Showoff is not trying to remail unseen, in fact he is waving at the viewer to attract attention. He features the same needlefelted wool over wire and batting form as my other sculptural pieces.

Anthropomorphic flamingo on ice skates. Needle felted wool over wire and batting armature — Be Unique

What else can be said about an ice skating flamingo? Be Unique is a response to a request. A lighhearted urge to be oneself no matter what the “normal” role may be. She appears to be quite proud of her skills, and has a naturally colorful skating costume. Be Unique is also needle felted wool over wire and batting. Her internal armature anchors into her sparkly base.

Something different for this show.

Vessels created by wet felt techniques over balloon form — Felted vessels

I created several wet felted vessels for this show. Wool fibers have scales along thier surface. These scales grab on to one another as fibers are pushed past each other in the felting process. In needle felting, I stab the loose fibers with special needles that catch and move the wool.

Wet felting uses soapy water and agitation to felt the fibers together. These vessels were created by layering loose wool roving over a balloon. I then spray soapy water on the wool, and cover the wool with tulle netting. Bubble wrap is then rubbed over the tulle in small circular motions. The process of layering, rewetting, and rubbing is performed for several layers. I remove the balloon between some layers to guage thickness and tightness of the felt, and to check the structural integrity of the vessel. I also “boil” the wool by wetting it down and placing in the microwave for short bursts. This additionally tightens the felt.

Bags

I created two bags for this show as well. One is quite causal, and the other a bit flashy.

My Grey Felted Bag was wet felted over a foam form. Layers of wool are placed on the form with edges that wrap around to the other side. The wool is wet, covered with tulle, and agitated with bubble wrap in the same manner as the vessels. I cut the top of the bag open, and then cut handle openings. I finished off the handles by stitching with yarn. The bag is lined with purple cotton that is hand-stitched in place. I added velcro to the liner under the handles as a closure.

Handled wool bag created using wet felt techniques with hand sewn cotton lining and velcro closure — Grey Felted Bag

Wool envelope clutch created using wet felt techniques with hand sewn cotton lining and needle felted butterfly wing design — Butterfly clutch

My Butterfly Clutch is a combination of wet and needle felting techniques, and a little recycling. I first created the envelope clutch bag in similar manner to the Grey Felted Bag. It also has a lining of the same purple fabric sewen inside. The striking monarch butterfly wing was needle felted for an earlier piece that I wasn’t quite satisfied with. I scrapped that sculpture, but kept the needle felted wings. One wing already made its way on to a denim shoulder bag. I attached this wing by needle felting it directly on to the closure flap of the bag.

Hope to see you at HGA!

Check out all of my newest work, the paintings of Eduardo Lapetina, and Pete Rodrigues’ amazing furniture at the Hillsborough Gallery of Arts tomorrow evening during the Hillsborough Arts Council’s Last Friday Art Walk.

card for Interconnected Visions show at HGA

Remembering Whales

I’m of a vintage to be able to remember ‘Save the Whales” as being a thing. I know that the global moratorium on whaling isn’t complete, and doesn’t block all whaling. But, it has allowed many species of whale populations to rebound. Why did I find my self thinking about this the past week or so? It might have some connection to watching my daughter doing some fundraising for Ukrainian refugees at school, and working an internship at a non-profit that deals with poverty issues. It is inspiring to witness empathy and caring. In recalling this rallying cry from youth for people to care about something, I was inspired to bring my own whale to life.

Remember Whales

I’m not sure if some would count him as anthropomorphic or not. I do not have this humpback whale doing something overtly human, and he’s certainly not dressed up. However, I find a certain intelligence expressed by most species of cetaceans. My whale seems ready for a conversation. His bright blue eyes sparkle with knowing, and he is propped up on his fins to look the viewer in the eye. A conversation with this humpback might prove quite embued with humanity

Remembering Whales is needle felted wool over wire and batting. HIs upper coloring is a hand blend of grey and blue fibers. Blue glass beads are sewn and felted in place for his eyes. He will be available at the Hillsborough Gallery of Arts the last week of May.

Helping Sunflower Stand Tall

It is impossible to filter out all that happens in the world, and just create sculptures that depict cute happy little creatures. So, I’ve responded by creating some cute happy little creatures trying to say or do a bit more. “Helping Sunflower” is the next piece that will be available during my feature show in May. In this sculpture, three woodland creatures are working together to help a sunflower stand tall and straight.

Helping Sunflower is needle felted wool sculpture over a wire and quilt batting armature form. Anthropomorphic raccoon, mouse and robin work together to help a sunflower — Helping Sunflower

Ukrainian Sunflower

The whole world is now aware of the sunflower as symbol of Ukrainian national identity. We are also painfully conscious of that nation and its people’s need for help right now. I decided to depict that need and hopefully the resulting aid through this piece. My blossom is being aided by a trio of woodland animals.

Racoon Stability

The raccoon at the base of the sculpture is doing more than holding up the stem of the sunflower. I filled his bottom with a small pouch of glass gems so that he provides ballast to this taller than average sculpture. His construction is needle felted wool over foam, batting and wire. His glass bead eyes are sewn and felted in place, and his whiskers are fishing line knotted in place. The fur is purposely felted in with ends loose to provide a fluffy fur coat and tail.

Mouse Has The Leaves

A field mouse is perched on one leaf while he steadies another. His construction is felted wool over quilt batting. The mouse eyes and whiskers are the same as his raccoon friend.

Robin Provides Sunflower Air Support

At the very top a robin in flight grasps a petal in his beak. The robin was the trickiest element construction wise. I wanted to make sure he appeared to be pulling the flower upward. The wire armature travels up through the petal edge and on into the bird. The wing edges are left purposely loose to give the illusion of movement. The robin features needle felted wool over wire and batting with hand sewn glass bead eyes. The sunflower incorporates recycled chopsticks and wire in its stem, a machine stitched center that provides the illusion of seeds, and individually formed petals.

The sculpture will be at the Hillsborough Gallery of Arts beginning May 24th.

Three for May

Three to share today

It has been much too long since I’ve shared some new work from my studio work table. I have been busy creating new sculptures, but other computer work priorities have kept me from telling you about them here. As a result they have actually backed up a bit, so I have three new pieces to share today. They are all being saved for my featured artist show at the Hillsborough Gallery of Arts in May.

A Frog to Start the Trio

Pond-er, anthropomorphic frog needle felted art doll figure sculpture seated in 'Thinker"pose — **Pond-er**

Pond-er is the first of these three new art doll sculptures. Yes, he is reminiscent of Rodin’s “Thinker”, in a lighthearted amphibious way. He is an ultimate example of my frequent aim of minimal anthropomorphism. Trying to create figures that express human characteristic as minimally as possibly, and not by simply dressing them up in clothes. Pond-er is a natural for this approach, as the famous sculpture he is based on is also a nude figure.

Pond-er is needle felted wool over a wire and quilt batting armature frame. His eyes are glass beads that are sewn in place. Admittedly, he does just make me smile, and that is why I created him.

Two of Three

Morph, anthropomorphic zebra needle felted art doll figure sculpture with rainbow butterfly wings — **Morph**

Secondly, I’d like to introduce you to Morph. Morph is a rainbow zebra pega-fly? Tricky nomenclature aside, Morph is just a flight of fancy on my part. In my head I saw a zebra with butterfly wings where the black stripes became the borderlines of the wings, and the white gradates into the colors of the rainbow. I think that my expression of these ideas in Morph is pretty spot on. I will admit that Morph isn’t necessarily imbued with any particular human characteristics, she’s just a feast for the eyes. Though, she may express some thoughts of change and inclusion through her coloring and metamorphic nature. Morph’s construction is similar Pond-er.

A Bear in Solitude

Considered Solitude anthropomorphic needle felted bear art doll figure sculpture — **Considered Solitude**

The last of these three new pieces is Considered Solitude. It started by looking at the word solitude, and finding that a bear is an animal that is supposed to be representative of that concept. From there, I thought what might a bear do in its moments of solitude? Mine is carefully considering a daisy. This seated figure does have a simple scarf wrapped around his neck (perhaps it’s an ascot?) He just seemed to need something extra. Considered Solitude has the same felted wool over wire and quilt batting construction.

All three of these new works will be available at the end of May at the Hillsborough Gallery of Arts. I will share more details as the date approaches.

What’s Up Doc? Anything Goes

– A Rabbit Plague Doctor

What's Up Doc is an anthropomorphic rabbit plague doctor art doll sculpture. Needle felted wool over wire and batting armature, glass bead, faux leather and suede embellishment. — What’s Up Doc?

The state-wide juried show Resolutions 2022 has come down at The Hillsborough Gallery of Arts, so now it’s time for us HGA artists to have a bit of our own fun. “What’s Up Doc?” is my offering for our new show Anything Goes. We installed the show a couple of days late due to a bit of snowy weather, but it is now hanging in the HGA Featured Exhibit room for you to check out.

It is not often that I do a new version of a favorite piece very quickly. I like to let some time pass so that each stands completely on their own within my portfolio. However, like all things pandemic related, normal gets thrown out. I really liked my rhino Plague Doctor from this fall, and he found a home rather quickly. So, this time around I chose a smaller, but no less brave anthropomorphic plague combatant.

What’s Up Doc – Details

What’s Up Doc is needle felted wool over a wire and quilt batting armature I created. His fur is a custom color mixture of wool that I felted together to give him the appearance of a wild rabbit. The ridescent glass bead eyes are sewn in place. I created the walking staff from a stick, glass beads, glass gem, copper wire, and needle felted wings. Doc’s hat and mask are hand stitched from faux leather and recycled suede from an old pair of boots. His medical shoulder bag is needle felted wool with hand sewn bead closure and strap clasp. The sculpture stands 11 inches high and balances on his large hind feet with his staff for a bit of added stability.

Stop In

The Anything goes show will be on display at The Hillsborough Gallery of Arts through February 20th. Check it out, and maybe take home something special for a Valentine’s surprise!

Wonderland Looking Glass Mash Up

Passes Through the Looking Glass One Too Many Times

My work travels through Alice in Wonderland’s looking glass every once in a while. Alice makes a number of appearances, and the White Rabbit showed up once as well. My latest trip through the looking glass appears to have taken a number of trips. “Through the Looking Glass One Too Many Times” is a mashup of several of the Wonderland denizens. Alice, the White Rabbit, the March Hare, The Mad Hatter, the Red Queen, the Cheshire Cat, and Absolem all lend elements to the piece.

Through The Looking Glass One Too Many Times - anthropomorphic rabbit needle felted art doll sculpture Alice in Wonderland character mashup — Through The Looking Glass One too Many Times

The sculpture not only brings together several different characters, but several types of media as well. The rabbit figure is needle felted wool over a wire and quilt batting frame. Her eyes are iridescent black glass beads, that give the illusion of eyes of many different colors. I created her long eye lashes by fringing black denim, and sewing them in place. Her apron is white cotton and lace with needle felted wool pocket, heart appliqué, and novelty heart button. The “Drink Me” bottle is a compilation of beads with a small paper craft tag. I made Abselom’s hookah from a wooden ball, glass and metal beads, leather chord and metal findings. Her curly Alice locks are dyed wool roving from Susan Hope‘s (HGA artist) sheep.

Take Two, Take Three

Some pieces emerge fully formed in the sketchbook on take one. I create some on the fly with just a concept in mind. Through The Looking Glass was a fully formed concept that I needed to sketch. The first drawing was just too much, and felt forced. My second try also missed the mark. I felt that the figure had to try to accomplish the challenge of combining the figures without getting drowned in costuming. My third sketch served as the basis of this final piece. I hope you’ll agree I found the balance I was looking for.

Through The Looking Glass One Too Many Times - anthropomorphic needle felted rabbit art doll sculpture Alice in Wonderland character mashup — Through The Looking Glass … hat

At The Hillsborough Gallery of Arts in September

Through The Looking Glass One Too Many Times will also make her debut at HGA in September. I will be sure to share when she and all her friends are available.

Winking Or Sleeping?

Winking Journal Cat…

Journal Cat - needle felted wool and mixed media anthropomorphic cat sculpture — Journal Cat

Perhaps she is sleeping with one eye open? I’m not exactly sure. I started out wanting her to be sleeping, but couldn’t resist the temptation to have her peek at the viewer with one of her bespectacled eyes. Depending on the angle, the cat appears to be either sleeping with one eye open, or winking knowingly.

Like a predecessor named Literary Cat, Journal Cat is a calico. For some reason they strike me as the cat that hangs out in bookshops, libraries, or one’s favorite reading nook. She looks like she would be equally comfortable curled up in your lap as you read as well.

Journal Cat isn’t actively reading or writing, but rather reclining on a fabric covered journal. The journal is no longer operational. The pages and cover have been glued together providing a comfortable base for our feline to rest on. The journal, hand formed “pince nez” specs, and fishline whiskers create a more multimedia piece. The primary media is still needle felted wool. You can view a short video from my last post to see how needle felting works, and how I incorporate it into my sculptures.

back of Journal Cat sculpture — Journal Cat back view

As is the case with most of my anthropomorphic figures, Journal Cat expresses her human-like characteristics in minimal fashion. Her bright scarf, glasses, and literary perch tell you what she is about. The viewer is left wondering exactly what this cat’s journal entries would look like. I would suspect a lot of naps among the prose and poetry.

Another Show Reminder

Journal Cat will be at the Hillsborough Gallery of Arts‘ September featured artist show, Unmuted, along with all my other new works. The show installs in the gallery on 9/20 and will having its Last Friday reception and will go live online on 9/24.

Aurora Dancing…

Travel Born Art Doll

I am often asked where I get ideas and inspiration for my art doll figure sculptures. My quick answer is, “anywhere, and everywhere.” Boleyn’s Ghost took her inspiration from a book. I pulled from a Degas painting for Local Star. The genesis of my latest sculpture was travel.

This past summer we had an adventure in Iceland. We chose a “you drive” tour. For eight days we traversed Iceland’s surreal and otherworldly landscape. Mountains, glaciers, geysers, waterfalls, and icebergs were some of the breathtaking sights we encountered. We also passed what seemed to be a never-ending supply of sheep grazing wherever they pleased.

The beautiful wool products and the inspirational scenery of Iceland percolated in my head following our trip. The result of this marriage is Aurora Dancing.

Aurora Dancing art doll

We visited in the summer, and therefore did not get to experience the northern lights dancing in the night. As a result, my figure’s felted coat employs an imagined interpretation of the aurora borealis over a snowcapped landscape. Aurora is papier mâché and paperclay over a wire armature. I needle felted this art doll’s coat, mittens, boots, and flowIng hood by hand, as well as the cover of the base. I aimed to integrate my material and visual inspiration with the magic of Icelandic lore.

More Needle Felting

Aurora will find that she is just the beginning of a number of art dolls that will have felting techniques incorporated in their construction. Needle felting is like painting with fiber. It provides an opportunity to add another dimension to my sculpture. Needle felted wool lends itself to completely different creations as well. I wrote earlier that I have already created a small herd of Icelandic inspired animal ornaments. Those ornaments will be making their way to the gallery in a couple of weeks as the holiday shopping season begins.