Tag Archives: ballet

Performing Creatures

I admit it. I fall prey to finding humor in puns, and some of my new creatures are obvious candidates for punny titles. My swan dancing in her toe shoes titled, “Too En Pointe?”, is a prime example.

Too En Pointe? anthropomorphic art doll — Too En Pointe?

Swan Lake is the world’s best known ballet. I choose to depict this most recent dancing figure as a swan. I think that choice might be a bit too “on point” for some. For those not familiar with dancing terms, dancing up on toe shoes is called being “En Pointe.” I suppose I could have made her title an even greater head shaking pun if I had called her “TooToo En Pointe?”

Title aside, I enjoy how this sculpture came together. She is a commanding figure at 18 inches tall and her wings spread wide. That she somehow can maintain her en pointe posture dancing on water makes her just a bit magical.

More Performing Creatures

If you are familiar with the romantic comedy Notting Hill, you might recognize the title of “Happiness Isn’t.” There is a painting, La Mariée (The Bride), by Marc Chagall that plays a role in the story. The main characters Anna (Julia Roberts) and William (Hugh Grant) discuss the imagery of the painting. Anna states,”It feels how love should be. Floating through a dark blue sky.” William quips, “With a goat playing the violin.” To which Anna responds, “Yes, happiness isn’t happiness without a violin-playing goat.” That clever exchange was the inspiration for “Happiness Isn’t.”

Happiness Isn't anthropomorphic art doll — Happiness Isn’t

Even though the goat in the actual painting appears to be holding a cello, I chose to depict my figure with a violin too. He is one of those figures that just brings a smile, and has no other job than to contradict his own title.

Stay Tuned…

Things are changing quickly as we navigate sharing and marketing artwork online. I’m not sure this month’s Featured Artist show (changes Friday, April 24th) on the HGA website will be presented in the same way as the current one. There are some new gallery offerings going up just about every day. Keep checking in both here and on our Hillsboroughgallery.com site to see what is new and available. I just made some pricing updates on my own “Available for Purchase” page. You may want to recheck your favorites. I’ve revised the newest back to last year’s scale, and I have taken in to account the need to add on shipping costs.

Green Swan?

Writer’s Block

It really has been much too long since I updated readers on what’s going on in the studio. I have been busy sculpting away in the studio these past few weeks. Much of what I’m working on is for my yearly featured show this coming April, so I’ll keep that under wraps for just a bit longer. In the mean time, let’s look at “Tattered Swan”. She is my piece for HGA’s next show, “Green”.

But First, Some New Year’s Resolutions…

Each year, somewhere in late summer HGA puts out a call-to-artists across North Carolina. This call is for our yearly state-wide juried show “Resolutions”. Some 200 or so pieces were submitted from artists across the state. 38 wonderful works in a wide variety of media were chosen for inclusion. The show “Resolutions 2020” will be on display at the Hillsborough Gallery of Arts January 6-26.

Green Swan

Following our yearly Resolutions show, the member artists of HGA mount two yearly group shows. The theme of the first of these shows is “Green”. I chose to interpret the word green as sustainable. Sustainability being my focus, I decided to begin with my material choices. As felted wool has been my material of choice for the past year or two, I looked first at the source of my fibers. I first purchased wool roving for this figure directly from the farmer at a local farmer ‘s market. My second fiber choice was to recycle. I saved dryer lint from loads of laundry over a period of months. and used it for my second source of fiber. You find this unconventional material used in the figure’s wings, hair, and costume.

Material Challenge

The dryer lint presented me with a puzzle to solve. Its fibers are quite short, and their varied sources make the “Felt-ability” highly variable. I first turned to wet felting. The result was something that resembled home recycled paper, but was devoid of any tensile strength. It crumbled to the touch. I took this fragile material, and sandwiched it with paper thin layers of recycled quilt batting that I had peeled apart. This provided much needed long fibers, and crosswise stability. I needle felted these layers together. The result was a tattered and weathered looking fabric.

Swan Inspiration

I often have my iPad propped up with something playing on it in the background while I work. I had just rewatched the movie Black Swan the idea of creating another dancer figure seemed long overdue. My intension was not to pull directly to the movie imagery, but rather relate to the way it captured both the distress and beauty of ballet. I also strove to create a figure in a snapshot of movement, caught at an instant without connection with the ground. The result is the piece I’ve titled, “Tattered Swan”. I chose to utilize the local wool and the felted lint just as they were without additional coloring through dye or bleaching. I like that this has the effect of the piece looking somewhat classical. Almost as if she were carved out of some sort of material.

Check out Green

“Tattered Swan” and all of the HGA artist’s interpretations of green, will be at the Hillsborough Gallery of Arts beginning January, 27th. The opening reception for “Green” is Friday, January 31 from 6-9pm.

A Dancer Art Doll and FA Show Closes

Last Week of Featured Artist Show at The Hillsborough Gallery of Arts –

My featured artist show, Up Close, at the Hillsborough Gallery of Arts will be coming down next Monday, the 24th of July. I know there is street construction all along the gallery’s storefront, but there is still access all along the sidewalk closest to the buildings. Many of my newest art doll sculptures will still be around HGA after the show closes, as they are incorporated into the gallery collection throughout the rest of the space. So, your favorite may still be here.

Newest Art Doll is a Local Star

I titled my latest sculpture doll “Local Star.” Star is a papier-mâché and paperclay figure over a wire armature. I focus on the elements of movement and surface in this art doll piece. Local Star is modeled after Degas’s 1876 painting “The Star”. My Star is a slightly caricatured ballet dancer figure trying to emulate the Degas painting. Her unique costume and wigging are created from the pages of the local news paper.

Local Star

I play here a bit with the idea of the hometown dance/music/art studio, and the local mistress or master instructing all of their own little “local stars”. They may or may not go on to be true stars, but they certainly are in someone’s eyes. The local paper is just the place that would carry the announcement of her upcoming recital or show.

Star’s eyes are torch fired enamel. The paperclay’s “antiqued” surface tone was created with a tea dye. All the sculpture’s paper and paperclay surfaces are sealed with decoupage medium.

Dancer and a Fairytale Art Doll

It has been two weeks since I’ve shared a new art doll, so this post have two new sculptures for you.

Lacing II

The first is Lacing II. As her name implies, she is a revisit to an earlier art doll. I have done a number of dancer art doll sculptures. They seem a natural subject area for doll figures. Lacing II is a seated figure in the middle of lacing up one of her toe shoes. With her copper face and hair, aluminum conduit arms, and faux leather elements of her skirt and shoes she evokes a steampunk aesthetic. I made the choice to fashion her hands, head, and shoulders out of paperclay. This media allows for much finer details for hands gripping laces, delicate ears, and neck musculature. I costumed Lacing II simply to give the impression she is getting ready for practice rather than a performance.

Otohime

The art doll Otohime, is another sculpture in my series of Fairytale and folktale characters. She is a figure from Japanese stories. I first encountered Otohime in Yuri’s Brush With Magic, a book by my mother-in-law, Maureen Crane Wartski.

Otohime, is a water goddess, and daughter of the dragon Emperor of the Sea, Ryujin. In the tale of the fisherman Urashima Taro, Otohime appears a small turtle that the kind hearted fisherman saves from taunting children. Urashima is rewarded with a visit to the kingdom of the emperor, and the gift of a mysterious box that he must never open.

My Otohime art doll is a mixed media combination of paperclay and paper maché. Her “water” under skirt and tail are papermache over a chickenwire frame, with color and texture created by layer tissue paper. The figure’s head, upper body and hands are sculpted out of paperclay over a wire and foil armature. Otohime’s unique wigging is made of twisted and glued tissue paper. Elements from the metal studio serve only as embellishments as in the art doll’s torch enameled eyes, mesh collar, copper fan, and hair accessory. The kimono for Otohime is made from fabrics from the quilting collection that once belonged to Maureen as well.

Holiday Treats and a Circle

I have mostly been busy creating items for the gallery for the holidays the past few weeks. Along with new art doll sculptures this includes a few extra jewelry creations, and several types of ornaments. Even though these are smaller pieces that I make several of at a time, I do hand craft each as a distinct original piece.

ornaments and ornament cards

I think that my “ornament cards” illustrate this best. The small metal repouseé panel that is on each starts out as a piece of blank tooling foil. I sketch a design on each with a dry erase marker, and then use a variety of stylus tools to shape the design front and back to create a relief sculpture. A sparkly card stock backing is then attached by edging the two panels together with metal foil tape. With the addition of an eyelet, a hanging ribbon, and attached to a card it becomes both a greeting and a gift.

I also forge copper stars and hearts from copper stock, and pierced aluminum. These are finished with a variety of found objects from my steampunk-y materials stash.

This year I wanted to add an ornament with a nod to my art dolls. I created the little “snowflake dancers” you see in the photo. Each starts out with a wooden bead and a couple of pieces of twisted wire. Brads for eyes, tinsel hair, a wrapped yarn leotard, and skirts of copper and tulle complete these miniature hanging dolls.

My latest art doll is also a hanging piece. Following our first ever Juried art show at the Hillsborough Gallery of Arts (more on that in a couple of weeks); HGA will host “Art All Around” in January. This gallery group show will feature works that in turn feature circles.

Cirque III

My piece for the show is “Cirque III”, she is the third in a series of aerialist dolls fashioned in the style of a “cirque” type circus. This doll I purposely balanced and positioned so that while hanging, the slightest breeze or air movement will cause her to move in a circular plane. This of course made photographing her all the more of a challenge, but I do like the effect. She will be in the gallery starting the last week of January.

“Barre-ing” Degas

My latest art doll is “Barre-ing Degas”, and yes, she is a steampunk riff on one of Edgar’s Degas’ dancer pieces titled “Dancer at the Barre.” I like the behind-the-scenes casual feel of that painting. The young dancer pictured is not performing some grand athletic move, or spectacularly costumed. She is instead relaxed against the barre and appears to be contemplating the angle of turn out of her foot. You get the feeling that you are looking at a candid photograph rather than a posed composition.

Barre-ing Degas

My figure has a few more bells and whistles (gears and rivets, actually) in her attire, but in her defense, she is much smaller and needs to work harder to attract attention.

Wartski Art Dolls and Sculpture

Art dolls and mixed media sculpture