Next week a new show installs at the Hillsborough Gallery of Arts. Entitled, Stirrings, the show will feature new work by HGA member artists. For my contribution to the show I thought about the first few anthropomorphic pieces I created. Though I had sculpted animal inspired art dolls before, this was a whole new direction. High Fashion, was one of the first of these creatures, and she has remained one of my personal favorites. Dare to Clash recalls her predecessor. This giraffe is displaying her own unique style.
Dare To Clash
Perhaps she is over doing it just a bit with the animal prints, but her purple flats are on point. She also seems quite happy with her visor and large hoop earrings. They show off her long slender neck.
“Dare” stands a little over 13 inches high. She has bright glass bead eyes capped off with long black lashes. Her custom footwear is hand sewn from faux leather.
This piece really a represents a labor of love. I fully recall how labor intensive adding all of the giraffe spots to High Fashion was. Now I added leopard spots, and tiger and zebra stripes to mix! Needless to say, she took quite some time.
Dare close up
Dare to Clash will be at the Hillsborough Gallery of Arts starting Tuesday, February 22nd. Come and check her out along with all new the “Stirrings”.
The state-wide juried show Resolutions 2022 has come down at The Hillsborough Gallery of Arts, so now it’s time for us HGA artists to have a bit of our own fun. “What’s Up Doc?” is my offering for our new show Anything Goes. We installed the show a couple of days late due to a bit of snowy weather, but it is now hanging in the HGA Featured Exhibit room for you to check out.
It is not often that I do a new version of a favorite piece very quickly. I like to let some time pass so that each stands completely on their own within my portfolio. However, like all things pandemic related, normal gets thrown out. I really liked my rhino Plague Doctor from this fall, and he found a home rather quickly. So, this time around I chose a smaller, but no less brave anthropomorphic plague combatant.
What’s Up Doc – Details
What’s Up Doc is needle felted wool over a wire and quilt batting armature I created. His fur is a custom color mixture of wool that I felted together to give him the appearance of a wild rabbit. The ridescent glass bead eyes are sewn in place. I created the walking staff from a stick, glass beads, glass gem, copper wire, and needle felted wings. Doc’s hat and mask are hand stitched from faux leather and recycled suede from an old pair of boots. His medical shoulder bag is needle felted wool with hand sewn bead closure and strap clasp. The sculpture stands 11 inches high and balances on his large hind feet with his staff for a bit of added stability.
What’s Up Doc -side viewWhat’s Up Doc – backWhat’s Up Doc – detail
Stop In
The Anything goes show will be on display at The Hillsborough Gallery of Arts through February 20th. Check it out, and maybe take home something special for a Valentine’s surprise!
This is the latest anthropomorphic offering from my work table. I’ve been fortunate. The holiday creations that I introduced you to over the past few weeks: Powder Bear, Emperor Coco, and the Caroling Mice all have gone on to their forever homes. Seeing as I had some empty pedestal tops in the gallery, I thought another holiday offering was in order. A new mother-child polar bear art doll sculpture is that piece. This work recalls my sculpture, Winter Ride, from last year. That mother and child polar bear pair were enjoying a sleigh ride.
Happily Hauling, Mother bear focus
Happily Hauling has the smaller bear perched atop the Christmas tree they are bringing home. The mother bear is needle felted wool over a wire and quilt batting frame. She has hand sewn glass bead eyes, and a custom harness of bright red chording and steampunk embellishments. The smaller bear is needle felted wool over felted quilt batting. The minature tree is constructed of felted wool over a narrow dowel (chopstick) core.
Happily Hauling, baby focus
Rerun From Last Year
Time did not allow me to create a bit of stop motion animation of this sculpture. You may recall, that I produced a couple of these videos last year. You can click here to enjoy Winter Ride in motion again.
Happily Hauling is already available at the Hillsborough Gallery of Arts. Stop in to see all the art and holiday offerings by the HGA member artists.
I hope your holiday season is cozy, merry, and bright. Now, I must be off to work on more little holiday trees!
Monday morning the Hillsborough Gallery of Arts was buzzing with activity. The artist/owners were busy installing the holiday 2021 version of the Art of Giving show. We completely reinstall the gallery for the holidays. Twinkling lights on white branches appear in our front window with a wide variety of ornaments. Blown glass orbs, ceramic bells, and hand painted miniature paintings are a few examples you will encounter.
I’ve already shared a couple of my new holiday themed pieces. They, along with others are now available in the gallery.
Emperor Cocoa
Emperor Cocoa is my newest original sculpture for our holiday 2021 Art of Giving show. This anthropomorphic penguin is holding a mug of steaming hot chocolate. He stands about twelve inches tall. Constructed of needle felted wool roving over a wire and quilt batting frame. The art doll figure stands on his own with help from his tail for balance. He is intended for the holidays, but he can bring cheer all year long.
Emperor Cocoa
Other Holiday Offerings
Along with the original art doll sculptures, I also produced some holiday exclusive items. This year I’ve again made Lantern Houses. I created them last year in response to the Hillsborough Solstice Lantern Festival. Each year Hillsborough has a Lantern Walk along the Eno River. Last year’s was altered due to the pandemic. Instead businesses and downtown residences displayed lanterns. I created these little needle felted structures to house an LED light. At night the light shows through the windows and doors, and makes the translucent walls glow. Additionally, I created miniature Christmas trees on natural wood bases this year. These stand between 8 and 12 inches tall. They are accented with hand sewn glass and crystal beads.
I do still have my original design puffin and polar bear ornaments available as well. Stop in at HGA to check them out, and do a little holiday shopping.
Now that my featured artist show has come down, it is time to turn attention to my holiday show inventory. Beyond more “gift-able” items like my original design needle felted ornaments, I also enjoy creating a few one-of-a-kind seasonally themed sculptures. The first for this year is Powder Bear.
Powder Bear
Powder Bear is a ski themed anthropomorphic polar bear figure with a vintage look. This art doll sculpture stands 12 inches tall. He is needle felted wool over a wire and quilt batting form. I crafted his ski boots and goggles from recycled leather from an old used journal book. His ski’s are glue laminated card stock and patterned paper, and his ski poles are repurposed chopsticks, faux-leather, and metal gear embellishments.
Powder Bear side view
Powder Bear will be soon be available at the Hillsborough Gallery of Arts. The holiday show installs on November 15th when the OCAG studio tour preview ends. For now, it is time to get back in the studio and finish up Powder Bear’s holiday friends.
Passes Through the Looking Glass One Too Many Times
My work travels through Alice in Wonderland’s looking glass every once in a while. Alice makes a number of appearances, and the White Rabbit showed up once as well. My latest trip through the looking glass appears to have taken a number of trips. “Through the Looking Glass One Too Many Times” is a mashup of several of the Wonderland denizens. Alice, the White Rabbit, the March Hare, The Mad Hatter, the Red Queen, the Cheshire Cat, and Absolem all lend elements to the piece.
Through The Looking Glass One too Many Times
The sculpture not only brings together several different characters, but several types of media as well. The rabbit figure is needle felted wool over a wire and quilt batting frame. Her eyes are iridescent black glass beads, that give the illusion of eyes of many different colors. I created her long eye lashes by fringing black denim, and sewing them in place. Her apron is white cotton and lace with needle felted wool pocket, heart appliqué, and novelty heart button. The “Drink Me” bottle is a compilation of beads with a small paper craft tag. I made Abselom’s hookah from a wooden ball, glass and metal beads, leather chord and metal findings. Her curly Alice locks are dyed wool roving from Susan Hope‘s (HGA artist) sheep.
Take Two, Take Three
Some pieces emerge fully formed in the sketchbook on take one. I create some on the fly with just a concept in mind. Through The Looking Glass was a fully formed concept that I needed to sketch. The first drawing was just too much, and felt forced. My second try also missed the mark. I felt that the figure had to try to accomplish the challenge of combining the figures without getting drowned in costuming. My third sketch served as the basis of this final piece. I hope you’ll agree I found the balance I was looking for.
Through The Looking Glass … hat
At The Hillsborough Gallery of Arts in September
Through The Looking Glass One Too Many Times will also make her debut at HGA in September. I will be sure to share when she and all her friends are available.
Perhaps she is sleeping with one eye open? I’m not exactly sure. I started out wanting her to be sleeping, but couldn’t resist the temptation to have her peek at the viewer with one of her bespectacled eyes. Depending on the angle, the cat appears to be either sleeping with one eye open, or winking knowingly.
Like a predecessor named Literary Cat, Journal Cat is a calico. For some reason they strike me as the cat that hangs out in bookshops, libraries, or one’s favorite reading nook. She looks like she would be equally comfortable curled up in your lap as you read as well.
Journal Cat isn’t actively reading or writing, but rather reclining on a fabric covered journal. The journal is no longer operational. The pages and cover have been glued together providing a comfortable base for our feline to rest on. The journal, hand formed “pince nez” specs, and fishline whiskers create a more multimedia piece. The primary media is still needle felted wool. You can view a short video from my last post to see how needle felting works, and how I incorporate it into my sculptures.
Journal Cat back view
As is the case with most of my anthropomorphic figures, Journal Cat expresses her human-like characteristics in minimal fashion. Her bright scarf, glasses, and literary perch tell you what she is about. The viewer is left wondering exactly what this cat’s journal entries would look like. I would suspect a lot of naps among the prose and poetry.
Another Show Reminder
Journal Cat will be at the Hillsborough Gallery of Arts‘ September featured artist show, Unmuted, along with all my other new works. The show installs in the gallery on 9/20 and will having its Last Friday reception and will go live online on 9/24.
Did you spend any time in a Zoom or other e-meeting during the last year? If you did, you understand the phrase “unmute yourself.” Unmuted is the title of my upcoming featured artist show in September. The show title is a reference to the recent COVID lockdown. I spent time this week thinking about all the meanings of muted and unmuted while writing my statement for the show. You can mute a voice, mute a color, or mute a message. I try to look all the different interpretations in my pieces for this show. Some are bright and colorful, and some appear to be speaking or singing. Hopefully, one or two have something more to say.
Speaking Seriously and Playfully
My latest piece has something to say about this past year. We lived this last year through what might be referred to as a plague in history books. Looking at historical references we encounter the image of the plague doctor. Accounts place these figures anywhere between physicians and record keepers. Whatever their role, they have a distinct appearance, one that conveys the seriousness of their job. Most often we see a figure wearing a long beaked mask. I decided to go with something a bit different than the expected bird beak. My Plague Doctor is a rhinoceros in a spiked mask.
Plague Doctor
This anthropomorphic figure is needle felted wool over a wire and quilt batting armature. I hand stitched his mask and hat from faux leather. His stick staff supports a glass bead lantern and finial of his trade. Additionally, his staff provides a third balance point that allows this art doll sculpture to stand on his own. I also created tiny sandbags within his feet that supply additional stability. Plague Doc has an oxpecker assistant riding on his shoulder.
My intent is the plague doctor juxtaposed with the absurdity of a rhinoceros conveys the seriousness of the past year in a playful manner.
Into the Process
Colleagues and collectors have asked questions about how my sculptures are constructed, especially the needle felting process. I took some work-in-progress images and video clips, and cobbled them together in this short video.
The felting is done with flat surfaced needles that have notches along their edges. As the needle(s) pass through, the wool gets pushed and pulled by those notches. The wool fibers have overlapping scales along their length. The scales catch as wool fibers are drawn across one another. This is what felts the fibers together.
Plague Doctor detail
See you in September
Plague Doctor joins the friends I’ve already introduced (and a few you’ve yet to meet) at the Hillsborough Gallery of Arts in September. The show also features the art of Ellie Reinhold and Marcy Lansman, and installs in the gallery on September 20th, and goes live on the HGA store site on the 24th. The official show opening is during the Last Friday Art Walk also on the 24th. Mark you calendars, and keep an eye out for additional pieces before then.
Hi reader. I was working on a commission piece. I can’t write about that yet, because it’s a surprise. As a result, you haven’t heard from me in a while. After I put that work to rest, I was able to get into the studio and start working from my sketchbook again. This is now a bit of a crunch. I need to get together the body of work for my featured artist show. I’ve shared a few pieces already that will be in that show, and will continue to do that until the show opens. I’ll save you the full litany of the things aside from creating the art that needs to happen between now and then (photography, editing, inventory, writing statements, social media…) I will just say it is a lot, and get to work.
Roll on
My newest piece is titled, Roll. She is a young elephant who appears to be having a great time on her trike. She is the latest in a line of art doll figures on bikes that I’ve created.
Roll (left side view)
Roll brought me back into my garage work space for a while. I fabricated her handlebars, and bike frame from heavy gauge copper wire and brass tubing. The bike seat is hand sewn purple faux leather. The wheels are caster parts. The trike’s back deck is a piece of painted wood trim. Once the trike was finished, I knew how big to make the wire armature for the figure.
Roll herself herself is needle felted wool over a quilt batting wrapped wire frame. She has iridescent black glass beads for eyes. I finished this figure off with a small pink bow on her head, and light turquoise colored skirt.
The intention for this piece was to both capture motion, and to be able to provide motion. Yes, the sculpture does actually live up to her name and rolls.
I also wanted to make sure that Roll conveys the joy of her movement. Her bright expression as the wind blows back her trunk and ears says it all.
I’ve mentioned before that I try to imbue my anthropomorphic figures with human traits as simply as as possible. I find it a challenge to make them appear human without merely dressing them up in clothes. My latest piece takes this to the limit. Friendly Debate shows a sparrow couple locked in discussion. Or, are they singing to each other? Perhaps it is a little of both.
Friendly Debate
I took my inspiration for this piece from a image I found online. The photo showed three house sparrows on a branch. The three birds appeared engaged in a heated debate. I loved the interactions shown, however, I decided to concentrate on just two of the birds. As a result, I created a sculpture that I’m not sure would still classify as an art doll, but it is definitely anthropomorphic. I find that result intriguing.
Friendly Debate is needle felted wool over a wire and quilt batting armature. I approached the bird’s feet and legs differently with this piece. In the past, I have felted a bird’s feet too, but the result is usually thicker than I like. For these bird’s feet I wrapped the wire with thread. I like the more proportional result. I was able to leave the end of the foot wires exposed, and then glued them into holes I drilled in their perch. The end effect is more realistic looking feet that really appear to grip the stick.
Also for Unmuted
Friendly Debate is also intended for my feature show at the Hillsborough Gallery of Arts in September. This piece definitely fits one of the definitions of the word Unmuted… To produce sound again. You can almost hear the two sparrows in their Friendly Debate. Do you hear squawking or something more melodious?
