“Too Familiar” is the latest creation to exit my work table. Her genesis came from an external source. You may recall my last post, where I described a couple of pieces that weren’t exactly born in my sketch book. This latest sculpture was born on those pages, but in response to some thing I came across.
I saw a posting regarding a new issue of a defunct art publication. The post announced a new issue in the fall, and included a link to info for a call for submissions. They were looking for art dolls that fit either a Halloween or autumnal theme. As my feature show this year is in September, and I was in the midst of sketching ideas, I decided to play with the idea of animals that are known as “familiars”. They are the animal companions of witches and wizards… cats, owls, etc.
Too Familiar Taking Form
I first started my sketch of “Too Familiar” animal as witch, as a cat. The cat just appeared a little too precious to me. So, I refined my idea as an owl. Owls hold mystery and the appearance of wisdom. They are also a symbol of truth which fits in nicely with one of the many interpretations of the title of my September show “Unmuted”… to speak up.
Too Familiar is a barn owl who is busy simmering a potent looking brew of some sort. She holds the viewer in a direct gaze. The owl stands next to a clump of toadstools that look as though they may be part of her potion recipe.
The anthropomorphic art doll sculpture is needle felted wool over a frame of wire and quilt batting. She features glass beed eyes, and Swarovski crystal embellishments on her satchel. Her hat is needle felted wool over a synthetic felt base.
We Have to Wait
As I plan to have this piece in a show that opens at the end of September, you will have to wait a while to see Too Familiar in person, or for her to be available for purchase.
